wall.
âYikes!â cried Frankie.
âYikes and a half!â I added.
Over and over we rolled. There were lots of legs and arms and costumes and props. It was like Frankie and I were inside some sort of classic-book clothes dryer, tumbling around and around until we were dumped down into a street in the pile of costumes.
I rolled over and over until I splatted against something flat and cold. Frankie slammed up against me. We both groaned for a while before we moved. When we got to our feet, we saw that all around us were old stone buildings and twisty streets. Some buildings were pink and some were blue.
In the center was an open square and a big stone fountain. But instead of spouting painted water, this one spouted actually real water.
âFrankie?â I said. âDo you see anything weird?â
âDevin, I donât see anything not weird!â
âWhat I mean is, this looks a lot like the stage set in the cafeteria, only itâs really real. I think thatâs weird.â
âWeird times two.â Frankie picked the book up from the ground and opened it to the first page. âOkay, look, first things first. The setting of the story. Mr. Wexler said Romeo and Juliet were Italian, right? Well, it says it right here, just like he told us, âIn fair Verona where we lay our scene.â So I guess weâre in Verona, Italy.â
âIsnât Italy where all the meatballs are?â
She laughed. âWith us here, thereâs at least two.â
âBetter make that four,â I said, pointing to the far side of the square. âBecause here come a couple of guys wearing tightsââ
Two men rushed into the square.
âTheyâre wearing swords, too,â said Frankie.
Spotting us instantly, the two tights-wearing men pulled out their deadly-looking swords and started running toward us, shouting something like âGet them!â
I turned to Frankie. âCan I just say something?â
âIf you say it quick,â she said.
âItâs just one word,â I said. âHIDE!â
Chapter 3
But we couldnât hide. The two swordy guys were all over us like sauce on meatballs, carving shapes in the air with their swords and backing us all the way up against the bubbly, spurting fountain.
âWhoa, dudes!â I shouted. âPut away the pointy things! This is the land of macaroni, not shish kebab!â
âSilence, you, youâ Montague !â snarled one of the men, drawing shapes around my head with his sword. âDraw your blade and fight us!â
âItâs plastic!â I said, showing him how the toy sword bent every which way. âBesides, Iâm not this Monty Glue youâre looking for. Iâm Devin Bundyââ
âAnd Iâm Frankie Lang,â said Frankie. âWeâreââ
âYouâre Montague spies, thatâs who you are!â said the second man, his sword twitching an inch from our nostrils. âAnd weâll get you!â
âNo, you wonât!â shouted a loud voice from the far end of the square. We turned to see two new guys rush into the square, yanking out their pointy swords, too.
âIf there are any spies to get,â one of these new guys said, â we shall get them, youâCapulets!â
Our two men gasped. âYouâMontagues! Get them!â
In a flashâ clang! clonk! pling! âeverybody was getting everybody else. The air rang with the sound of blade against blade. I mean, the four guys went at it like actors in some ancient sword-fighting movie.
I looked at Frankie. âIâd like to repeat what I said before.â
âYou said a lot of things.â
âTrue, but the one particular thing I want to repeat isâHIDE!â
Without another word, Frankie and I dove under a cart standing in the square, and pulled the pile of genuine PTA mom costumes in front of us.
âLook, Frankie,â I
Douglas Preston, Lincoln Child