information came from customers in the chair and from spiders among the whores and police that Bolden and his friends knew. The Cricket studied broken marriages, gossip about jazzmen, and a servant’s memoirs told everyone that a certain politician spent twenty minutes each morning deciding which shirt to wear. Bolden took all the thick facts and dropped them into his pail of sub-history.
Looked at objectively The Cricket contained excessive reference to death. The possibilities were terrifying to Bolden and he hunted out examples obsessively as if building a wall. A boy with a fear of heights climbing slowly up a tree. There were descriptions of referees slashed to death by fighting cocks, pigs taking off the hand of a farmer, the unfortunate heart attack of the ninety year old Miss Bandeen who opened her door one night to let in her cats and let in someone’s pet iguana instead. There was the freak electrocution of Kenneth Stone who stood up in his bathtub to straighten a crooked lightbulb and was found the next morning by his brother Gordon, the first reaction of Gordon being to turn the switch off so that Kenneth fell stiff to the floor and broke his nose. Whenever a celebrated murder occurred Bolden was there at the scene drawing amateur maps. There were his dreams of his children dying. There were his dreams of his children dying. There were his dreams of his children dying. And then there was the first death, almost on top of him, saved by its fictional quality and nothing else.
Bolden’s marriage to Nora Bass had been a surprise to most of his friends. Webb, in Pontchartrain, continuing his career as police detective, received a long phone call from Bolden with the news. Webb offered them his cabin which they could use during the next month, so Bolden and Nora went there. Eventually, after three weeks, Nora’s mother drove up for a visit in her Envictor, her suitcase full of whisky. Since the death of Mr Bass she had two overwhelming passions—the drawings of Audubon, and an old python she had bought second-hand, retired from a zoo. And since the death of Mr Bass all her daughters had slipped successively into the red light district. Bolden in fact had slept with each of Nora’s sisters in his time. Now he was formally married to one of them, the veil of suspicion had been removed from the mother’s eyes, and the two of them would hold great drunk conversations together. A sparky lady. She would lecture him on the world of animals while he listened morosely studying her body for betrayals of her daughter’s physical characteristics. The final stages of an evening’s drunkenness would see her reaching into her suitcase to bring out the copies of Audubon drawings. Hardly able to talk around a slur now she’d interpret the damned birds, damned , as she saw them, for she was sure John James Audubon was attracted to psychologically neurotic creatures. She showed him the drawing of the Purple Gallinule which seemed to lean over the water, its eyes closed, with thoughts of self-destruction. You don’t know that! Shut up, Buddy! She showed him the Prophet Ibis, obviously paranoid, that built its nest high up before floods came, and the Cerulean Wood Warbler drunk on Spanish Mulberry, and her favourite—the Anhinga, the Water Turkey, which she said would sit in the tree tops till disturbed and then plummet down into the river leaving hardly a ripple and swim off with just its eyes and beak cresting water—or if disturbed further would hide by submerging completely and walk along the river bottom, forgetting to breathe, and so drown. That’s how they catch water turkeys, she said, scare them under water and then net their bodies when they float up a few minutes later, did you know that? Bolden shook his head. You tell a good story Mrs Bass but I don’t believe you, you crazy woman, you’re drunk you know that—you crazy woman. A week later Mrs Bass went for a drive and never came back. After lunch Buddy and
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