memories of that sojourn in England were blurred by the passage of years. She was never to feel that England was Home. Colombo was, the spacious bungalow on the Galle Road, with a verdant garden, separated from the Indian Ocean by the single-track railway line that ran south to Galle. Because of the proximity of the sea, it never seemed to matter how hot it got, because there was always a fresh breeze blowing in with the breakers, and indoors were wooden ceiling fans to stir the air.
But, inevitably, the day came when they had to leave it all behind. To say goodbye to the house and the garden, and Amah and Joseph the butler, and the old Tamil who tended the garden. To say goodbye to Dad.
Why do we have to go?
Judith was asking even as he drove them to the harbour where the P & O boat, already getting up steam, lay at anchor.
Because it is time to go,
he had said;
there is a time for everything.
Neither parent told her that her mother was pregnant, and it was not until after the three-week voyage had been made and they were back in grey England, with the rain and the cold, that Judith was let into the secret that there was a new baby on the way.
Because they had no establishment of their own to return to, Aunt Louise, primed by her brother Bruce, had taken matters into her own hands, located Riverview House and leased it as a furnished let. Soon after they took up residence, Jess was born in the Porthkerris Cottage Hospital. And now the time had come for Molly Dunbar to return to Colombo. Jess was going with her, and Judith was remaining behind. She envied them dreadfully.
Four years they had lived in Cornwall. Nearly a third of her life. And, by and large, they had been good years. The house was comfortable, with space for all of them, and it had a garden, large and rambling, which spilt down the hill in a series of terraces, lawns, stone steps, and an apple orchard.
Best of all, however, was the freedom which Judith had been allowed. The reason for this was twofold. Molly, with her new baby to care for, had little time to watch over Judith, and was content for her to entertain herself. As well, although she was by nature over-anxious and protective of her children, she soon came to realise that the sleepy little village, and its peaceful environs, held no threat for any child.
Exploring, Judith had tentatively ventured beyond the bounds of the garden, so that the railway line, the neighbouring violet-farm and the shores of the estuary became her playground. Growing bolder, she found the lane which led to the eleventh-century church, with its square Norman tower and wind-torn graveyard filled with ancient, lichened headstones. One fine day, as she crouched trying to decipher the hand-hewn inscription on one of these, she had been surprised by the vicar who, charmed by her interest, had taken her into the church, told her some of its history, and pointed out its salient features and simple treasures. Then they had climbed the tower and stood at the top in the buffeting wind, and he had pointed out interesting landmarks to her. It was like having all the world revealed, a huge and marvellously coloured map: farmland, patchworked like a quilt into small fields, green velvet for pasture and brown corduroy velvet for plough; distant hills, crowned with cairns of rock which dated back to a time, so long ago, that it was beyond comprehension; the estuary, its flood-waters blue with reflected sky, like a huge land-enclosed lake, but it wasn't a lake at all, for it filled and emptied with the tides, flowing out to sea down the deep-water passage known as the Channel. That day, the tide-race of the Channel was indigo-blue, but the ocean was turquoise, with rollers pouring in onto the empty beach. She saw the long coastline of dunes curving north to the rock where the lighthouse stood, and there were fishing boats out at sea, and the sky was full of screaming gulls.
The vicar explained that the church had been built upon this
Christopher Knight, Alan Butler