their big hunt, away from kids and wives, and it’s clear that the party starts before the plane takes off. They’re completely uninterested in the quiet, tired-looking woman in their midst. I sit down in one of the empty seats. Beside me is a magazine. Hunting and Fishing News . A librarian will read anything, so I pick it up and flip through the pages. An article on duck blinds leaves me cold, as does a series of how-to taxidermy photographs. Finally, I turn the page and find a pretty picture of an old-fashioned resort. It’s called the Comfort Fishing Lodge and it welcomes me to come and stay awhile.
Stay awhile.
It’s a lovely thought. I fold the flimsy magazine in half and shove it into my bag. When I get home, I’ll file the article alongside my other dreams, alphabetically. Someday, I’d like to visit the Comfort Lodge. As I’m fitting the magazine in the cluttered bag, I feel the pebbled leather of my camera case. My fingers close around it, pulling it out of my purse.
No newfangled digital camera for me. This is the real thing. A heavy black and silver Canon SLR. I take it out of the case, slip the strap around my neck, and remove the lens cap.
If I’m finally taking a trip into the unknown; there ought to be photographs to document the momentous event.
I focus and snap on the gate, on the other passengers, on the view of the runway through the dirty windows. I even try to take a picture of myself. All of it occupies my mind for a while, but then the real world creeps back into my thoughts.
Stacey is going to marry Thom and have his child.
It hurts almost more than I can bear. Tears sting my eyes again; I wipe them away impatiently. I am so tired of crying, so tired of feeling like half a person, but I don’t know how to change things. All I know is that for more than three decades, my sister has been the bedrock of my life, and now I’m standing on sand. I have never felt so lost and alone. If I could simply blink my eyes and say a prayer to disappear, I would.
They call my flight over the loudspeaker; men surge forward like a flannel-clad centipede, legs all moving at once. I follow quietly behind them.
On the plane, I find an empty seat in the last row. My armrest practically touches the restroom door, it’s so close. I try not to see a metaphor in this placement. Instead, I sit down, strap myself in, and peer out the tiny oval window at the falling night. The men are all in the front of the plane, laughing and talking. In no time, we’re cleared for flight and up we go, into the now black sky.
I flip through the hunting and fishing magazine again. An article on the Olympic rainforest grabs my attention. It’s in Washington State, apparently tucked in between hundreds of miles of coastline and a jagged mountain range. The trees are gigantic, primeval, the greens absolute and somehow soothing. A woman could get lost in a place like that. I could take hundreds of glorious photographs, maybe even—
“You okay back here all by yourself?”
I look up.
It’s Burl Ives again. He smiles at me: the movement bunches up his cattle-sweeper moustache and shows off a row of oversized dentures.
It’s the last half of his question, the “all by yourself,” that gets me. “I’m okay,” I say, though it’s miles from true.
“I’m Riegert, by the way. Riegert Milosovich.”
“It’s nice to meet you. I’m Joy.”
“Well. You have a great vacation, Joy. And wish us luck on the hunt.”
“Stay safe,” I say, unable to really hope the hunt goes well. I’m a card-carrying member of the don’t-shoot-living-things club. And the idea of men drinking and loading weapons seems remarkably stupid, but it’s not my business. “And thanks again for the seat. I think a little Hope is exactly what I need.”
“Don’t we all?”
He ducks into the bathroom and slams the door shut. A few moments later, he’s out again and heading up the aisle toward his seat. He is almost to