pride.
Hair silvering nicely, hairline receding. Height: five-nine, which made it easy for me, from my six-one vantage, to note that his crown was not yet thinning.
Fingernails buffed and filed. Hands well cared for. Prosperous. My kind of client. A lawyer? A professor? A respected businessman? The speed from phone call to initial appointment had curtailed my research.
âMr. Mayhew?â
âYes,â he agreed cheerfully. âAnd youâre Miss Carlyle.â
Heâd been eyeing me as carefully as Iâd been observing him. I wondered what conclusions heâd drawn from my disheveled appearance.
If Paolinaâs unexpected package of cash hadnât arrived, if Iâd skipped the Miami phone call, if said phone call hadnât taken such a daunting chunk of time, I might have attempted to dress for success. Worn a little makeup to accent my greenâwell, hazel, really, almost greenâeyes, and belittle my thrice-broken nose. Iâd have done battle with my tangled red curls.
I opened my mouth to utter polite excuses, realized that Mr. Mayhew didnât seem to expect them. I liked the way his level glance concentrated on my eyes, as though the measure of a woman were not in her clothes or her curves, but hidden in a secret compartment beyond all external gifts and curses.
I nodded him down the single step to my living room-cum-office.
âYou may call me Adam,â he said.
âCarlotta,â I replied. I liked his lived-in, good-humored faceâlines, pouches, bags, and all. His eyes were blue behind bifocal lenses, and seemed shy and oddly defenseless, as though the glass barrier were necessary for protection as well as visual acuity.
He toted a battered monogrammed briefcase of caramel-colored leather. Forty years ago, it might have been a college graduation gift.
âIâve wanted to do this for so long,â he said as he settled into the upright chair next to my desk.
âExcuse me,â I said. âYouâve wanted to do what for so long? Visit a PIâs office?â
If the guy was a flake I wanted him out. He didnât seem like a thrill-seeker. He seemed genuine. Sympathetic. So sympathetic I was tempted to tell him my troubles with Paolina and the drug money. I shook myself out of it.
âOn the phoneââ I began.
âDo you remember Thea Janis?â he said at the same time, glancing at me expectantly. âThe writer.â
âWriterâ jogged my memory.
âIt was a long time ago,â I said, struggling to recall a faint whisper of ancient scandal relegated to some distant storage locker in my mind like so much cast-off furniture. âI remember reading her book.â
âNot when it was published,â he said. âYouâre too young.â
âWhen I was fifteen, maybe sixteen.â Over half a lifetime ago. My mother had bought it for me three months before she died. Did I still have it? The title hovered tantalizingly out of reach, a ripe fruit on a high branch.
âThea was younger than that when she wrote it,â he said. He could have uttered the words dismissively. Or flippantly. But he spoke with longing, with fervency and desire. Triumph, as he added, âShe was fourteen. Imagine. Fourteen. The critics didnât know that, at first. Unqualified praise. When they learned the book had been penned by a child, a teenager, the bouquets turned a bit thorny, almost as if some critics felt theyâd been duped, not given the real goods somehow. Jealousy. Nothing more than jealousy.â
âWhy do you say that?â
âShe was the goods,â he answered simply. âA prodigy. Nietzsche wrote like an adult at twelve. We find it more acceptable in music. Mozart.â
âThea Janis was a literary Mozart?â
âSee? You canât keep the skepticism out of your voice. Itâs automatic. Cinematic prodigies, okay. Visual arts, okay, with reservations. We prefer