cost them college,
those for whom
âdamn homie
in h i gh s chool you was the man homie
the fuck happened to you?â
was written .
This is for those
who o nly call once
e ver 5- 7 months and
have the same conversation
each time ,
like pop song s
â the chords might change
but the progressionâs the same.
It starts with
a warm greeting
and details suggesting
progress paid a visit
before the c over
of enthusiasm fades,
revealing
the only real change:
their location.
Sad nostalgia infects
their voice, reminding
o f e ver y errand and chore
and other reason to
get off the phone
right now .
This is for those
people, we all know
those people.
They were our best friends
growing up, the ones we looked up to.
Now we c an har d ly find
the energy for half a smile
whenever they cross our paths.
This i s for those
because after so many
unsuccessful efforts,
offering help feels
like attempting to push
the boulder of Sisyphus,
it seems absurd to even try.
All that remains is hope
and hope can elect a president
but it canât save a personâs life
so we write and read
poems like these,
like lighthouses and maybe
those people will find their way
back to shore.
This is for those we havenât lost
because there is a fate worse than death
and itâs living to hear eulogies
for the person you could have been
16
There was no way
to say goodbye
that last day I tried.
There was thank you.
There was I love you.
There was a hand to hold
and your eyes
and the great shifting paintings
of your windows.
The ocean and the sky
and you, so tired,
everything deserting you.
Years unwinding to this;
From far away, I call,
trying to keep your voice in my ears.
Your warrior girl has pushed
your bed to the window.
Your head rests with the rising
of the sun and of the moon.
How many hearts broke
themselves, trying to hold
and keep, before she
who could stop a coal truck
with her will? She makes you soup.
The waves break over her.
I knew, this morning,
before it came.
You had gone under,
deep beneath morphine
and out with the tide .
I am here, helplessly alive
trying to find you.
You, the long, brown, gypsy boy,
trailing your ragged beauty.
You, the man,
wild-eyed and righteous,
throwing your shoes at the murderer
behind the pen. You, your shirt
splotched with my tears. You
laughing at my absurdity.
Your shout of âWhat are you, drunk?â
You the maker of hangover
eggs, the eyes that shared the joke,
fellow chaser of storms.
the one who loved my swagger
and knew everything behind it.
The huge moving sea
is between us .
I no longer can hold
your disappearing hand.
Your body is as earth
and stones and all
there is to offer
cannot bring one more day
of your sweet, sleepy smile.
I cry out from the sinew,
out from the agonized clutch
of my chest. My flesh
has never seemed so undeserved.
This grief is a hurricane
that passes and passes.
The eye. The storm. The eye.
I remember you,
that last afternoon
in your high, white flat.
You were unafraid. The sky
was already taking possession .
I remember you
in that seaside room
where the windows held no shore,
only the vast horizon .
17
Trace the red cord
from tread to source
to find threads
of a crushed case,
the screeching white
rib of animal
framework splintered
through a pelt still
fresh with fleas
fragments of ivory
archways snapped
tangled in viscera
of violets bruised
rouge and mangled
tubes pulsate spurts
in the midmorning
rays till the last drops
sheen in every crevice
of the road we glance
away to avoid
the scene
a deflated carcass
disappearing
on the horizon.
18
1
Broken
Pieces of bone
Skulls
And feet
Eye s and teeth
Mixed with shattered concrete
All th is rubbl e
Cousins
Bricks
Steel beams
Sister
Glass, mother
Tears, blood
Brother
Babies
Buried under all that unyielding
Unforgiving rubble
When the dump trucks
Come
Aurora Hayes, Ana W. Fawkes