PanPan, my son and inspiration – a young man who had grown up between Britain and China. To help him understand the past of the China he knew, this project was a risk I was willing to take.
I began losing sleep, thinking constantly about how I could get my interviewees to trust me, to open up to me; how I could demonstrate to them my sense of responsibility towards their era; how I could persuade them to leave their accounts of what they had witnessed with me.
One June morning, lying in bed in our seventeenth-century cottage in Stourhead, I watched through the window the birds singing and skitting through the trees, their carefree twittering contrasting so markedly with the anxiety I felt at the task ahead of me. I wanted to run away from the project, to take refuge in beautiful, green Somerset, and write escapist fairy stories I'd thought up as a child, or reminiscences about places I had been to, people I had met, friends I had known.
If my mother-in-law, the novelistMary Wesley, had still been alive, it would have been her ninety-fourth birthday. For some reason, since I had decided to write this book, I had been thinking a lot about her – particularly after a biography of her, Wild Mary , had come out. Would Mary have been happy with this document of her life, many people had wondered. Would she have regretted the choices she had made? These were the questions that I wanted to ask my interviewees, and also the questions that Western journalists often asked me: Did I regret anything about the forty years I had lived in China before I moved to the West? Had they been worthwhile?
Though I couldn't explain why, my instinct was always to say yes – they had been worthwhile. Through thousands of years of the Chinese past, so many women have toiled their lives away, bearing children, bringing up their families, gaining nothing for themselves. Would they have said their lives had been worthwhile? I don't even know if they would have asked themselves the question. But I'm sure that towards the end of their lives, a great many Chinese people – both men and women – have thought back over their past, flicking through albums of memories they would never reveal to their children and grandchildren. What, I wonder, might these albums contain? Regret, perhaps? Self-denial? Or joyful affirmation of the life just lived? Perhaps their children and grandchildren would imagine them to contain only blindness and stupidity.
That day, I phoned a woman called Jin Zhi (not her real name). Jin Zhi is an academic authority on the former Soviet Union, specialising particularly on the relations between Mao and Stalin. An outstanding linguist, she speaks fluent English, Russian and German. Despite receiving a Western-style education up to the age of eighteen, she has been throughout her life a passionate supporter of the Communists, firmly believing that the Party will "win back for the Chinese people the dignity that they lost after the Opium Wars". She was an old friend of the family, so we were often in touch.
"Xinran," she had said to me, in her usual forthright tones, months earlier, "I definitely want to be in your book. I want to make my granddaughter Shanshan understand my past, my feelings, my political ideals. I want her to realise that her generation has something in common with mine."
But now, as we spoke on the phone, she told me that the more she thought about speaking out, the more distressed she felt. She hated herself, she said: the beauty she had lost, the fact that she had never enjoyed a warm, close family life, that even now, past eighty, she felt inhibited, controlled by her husband; that she was still not free. Her only truly happy moments, she told me, were strolling on her own around Beihai Park in Beijing.
"Don't be angry with me," she said, after begging me to let her withdraw. She seemed a different person from the woman who had enthused so excitedly about the project in the past. But after putting the phone