minute, Lieutenant?â
âGot sixty of them in every hour,â he responded without looking up from the report he was currently writing.
Since Carver hadnât said no, Moira took that as an invitation by default and proceeded to enter the manâs inner sanctum.
âIâd like to run something past you,â she told the man, closing the door behind her.
Ordinarily she would have just left it open, but she knew that Carver was incredibly secretive about every conversation he had with anyone, especially any of his people. It didnât matter about what. He liked maintaining an air of secrecy.
Carver ignored her for a moment, undoubtedly with the hope that she would simply go away. But everyone in the precinct had come to realize that the name Cavanaugh was synonymous with stubbornness and, though it irritated him, heâd learned that the one assigned to his division was no exception.
So when Moira remained inside the room, he sighed, put down his penâa holdout of a bygone era, Carver still liked to use pen and paper rather than keyboard and mouseâand looked up.
âAnd what is it that you want to run past me, Cavanaugh?â he asked wearily.
Moira had long since decided not to take offense at the way Carver uttered her surname. There were Cavanaughs in every department of the precinct and, while most of the police personnel were on friendly terms with them, there were others who were not. The resentful ones believed that the Cavanaugh name instantly bought those who wore it a certain amount of leeway and gave them access to shortcuts that other officers and detectives were not privy to.
Carver was on the fence when it came to buying into that philosophy.
She could, however, detect the resentment in her lieutenantâs voice whenever he said her last name in a tone that sounded as if he was partially taunting her. Such as now.
âWhen I was out for my run this morningââ Moira started.
As she began to answer his question, Carver reached for a powdered-sugar-dusted cruller, one of two that he always picked up every morning on his way to the precinct. He paused for a moment, giving her a dark look as if sheâd thrown the line in to mock him and the pear-like shape his body had taken on over the years.
âOh, yeah, I forgot. Youâre big on health, arenât you?â
The look in Carverâs brown eyes challenged her as he bit into his cruller with a vengeance. Powdered sugar rained down on the page heâd been writing on, but he seemed not to notice.
âIt wakes me up,â Moira replied matter-of-factly. She wasnât about to get sucked into a debate about the pros and cons of what she did in her private life. âAnyway, as I passed by St. Josephâs Cemetery entranceââ
Carver stopped eating. âYou run past the cemetery?â he asked incredulously. âMaybe you should transfer to Homicide if you like dead people so much.â
Moira had no idea how the man managed to make the leap from what she was telling him by way of background information to what heâd just said, but again, she detected the antagonistic note in his voice and didnât rise to the bait.
âI like being on this squad just fine, sir,â she replied. âAnyway, these two figuresââ
âFigures?â he questioned skeptically. âYou mean, like, zombies?â It was clear that he was mocking her and not about to take anything she said seriously unless she forced him to acknowledge it in that light.
âNo. Like, robbers, sir,â Moira corrected matter-of-factly, doing her best to get to her point and not be sidetracked by his interjections. âThey were dressed in black and wearing ski masks. One of them ran right into me and just kept goingââ
Carver dusted off his hands and reached for the crumpled napkin in the bag that contained the crullers. âIâm guessing thereâs a point to