Cardington Crescent Read Free Page B

of daring and elegant cut and was sitting in the Marches’ private box at the Savoy. On stage, in all its delicious, lyrical charm, was Messrs. Gilbert and Sullivan’s opera Iolanthe, of which she was particularly fond. The very idea of a youth half human and half fairy, divided at the waist, normally appealed to her sense of the absurd. Tonight it passed her by.
    The cause of her distress was that for several days now her husband, George, had taken no pains at all to hide the fact that he very evidently preferred Sybilla March’s company to Emily’s. He was perfectly civil, in an automatic kind of way, which was worse than rudeness. Rudeness would at least have meant he was sharply aware of her, not dimly, as of something blurred at the edge of his vision. It was Sybilla’s presence that brought the light to his face, it was she his eyes followed, she whose words held his attention, whose wit made him laugh.
    Now he was sitting behind her, and to Emily she looked as gaudy as some overblown flower, in her flame-colored gown, with her white skin and peat-water-dark eyes and all that opulent mass of hair. In spite of the hurt and the foolishness of it, Emily glanced sideways at him often enough to know that George barely looked at the stage. The hero’s plight did not move him in the slightest, nor the heroine’s winsome flirtations, nor the fairy Queen nor Iolanthe herself. He did smile and move his fingers gently in time to “The Peers’ Song,” which surely would move anyone at all, and his attention was caught for a moment’s sheer pleasure in the dancing trio, with the Lord High Chancellor kicking his legs in the air with abandoned glee.
    Emily could feel the misery and panic growing inside her. Everything around was color, gaiety, and sound; every face she could see was smiling—George at Sybilla, Uncle Eustace March at himself, Sybilla’s husband, William, at the fantasy on stage. His youngest sister, Tassie, only nineteen, thin as her mother had been and with a shock of hair the color of sunlight on apricots, was definitely smiling at the principal tenor. Old Mrs. March, her grandmother, was twitching the corner of her tight lips upward in spite of herself; she did not care to be amused. Great-aunt Vespasia, Tassie’s maternal grandmother, on the other hand, was delighted. She had a marked sense of the ridiculous and had long ago ceased to care a jot what anyone else thought of her.
    That left only Jack Radley, the single nonfamily guest of the evening, currently also staying at Cardington Crescent. He was a ravishingly handsome young man with excellent connections, but unfortunately, no money worth mentioning, and a highly dubious reputation with women. He was another outsider, and for that alone Emily could have liked him, regardless of his grace or his humor. It was fairly obvious that he had been invited with a view to arranging a marriage for Tassie, the only one of the ten March daughters still unmarried. The purpose of this liaison was not yet plain, since Tassie did not appear to be fond of him and had considerably more substantial expectations than he; although his family was related to those who held power he himself had no prospects. William had said unkindly that Eustace hungered for a knighthood—and in time, perhaps, a peerage—as the ultimate accolade to his family’s rise from trade to respectability. But that was surely an observation more malicious than truthful. There was a tension between father and son, a sharpness that intruded like a sudden splinter of glass every now and then, small but surprisingly painful.
    At present William was behind Emily’s chair, and he was the only one she could not see.
    During the interval it was he who brought her wine and a chocolate bonbon, not George; George was standing in the corner laughing at something Sybilla had said. Emily forced herself to make some sort of conversation, knowing it was a failure even as the words fell into hot silence, and