forget.â
âYes, Father,â Ferenc said dutifully. He hastily stuck his knife out of sight.
Unobtrusively, unseen, the five gypsies made their way back to the encampment and sat down, at a discreet distance from one another, just outside the perimeter of an audience still lost in the sadly-happy rapture of nostalgia as the volume and pace of the violin music mounted to a crescendo. The braziers were burning low now, a faint red glow barely visible in the bright moonlight. Then, abruptly and with a splendid flourish, the music ceased, the violinists bowed low and the audience called out their appreciation and clapped enthusiastically, none more so than Czerda who buffeted his palms together as if he had just heard Heifetz giving of his best in the Carnegie Hall. But even as he clapped, his eyes wandered, away from the violinists, away from the audience and the gypsy camp, until he was gazing again at the honeycombed face of the limestone cliffs where a cave had so lately become a tomb.
CHAPTER 1
âThe cliff battlements of Les Baux, cleft and rent as by a giant axe, and the shattered, gaunt and terrible remnants of the ancient fortress itself are the most awesomely desolate of all ruins in Europe.â Or so the local guide-book said. It went on: âCenturies after its death Les Baux is still an open tomb, a dreadful and dreadfully fitting memorial to a medieval city that lived most violently and perished in agony: to look upon Les Baux is to look upon the face of death imperishably carved in stone.â
Well, it was pitching it a bit high, perhaps, guide-books do tend towards the hyperbolic, but the average uncertified reader of the guide would take the point and turn no somersaults if some wealthy uncle had left him the place in his will. It was indisputably the most inhospitable, barren and altogether uninviting collection of fractured and misshapen masonry in western Europe, a total and awesome destruction that was the work of seventeenth-century demolition squads who had taken a month and heaven alone knew how many tons of gunpowder to reduce Les Baux to its present state of utter devastation: one would have been equally prepared to believe that the same effect had been achieved in a couple of seconds that afternoon with the aid of an atom bomb: the annihilation of the old fortress was as total as that. But people still lived up there, lived and worked and died.
At the foot of the western vertical cliff face of Les Baux lay a very fittingly complementary feature of the landscape which was sombrely and justifiably called the Valley of Hell, partly because the barren desolation of its setting between the battlements of Les Baux to the east and a spur of the Alpilles to the west, partly because in summer time this deeply-sunk gorge, which opened only to the south, could become almost unbearably hot.
But there was one area, right at the northern extremity of this grim cul-de-sac, that was in complete and unbelievably startling contrast to the bleakly forlorn wastes that surrounded it, a green and lovely and luxurious oasis that, in the context, could have been taken straight out of the pages of a fairy-tale book.
It was, in brief, an hotel, an hotel with gratefully tree-lined precincts, exotically designed gardens and a gleamingly blue swimming pool. The gardens lay to the south, the immaculate pool was in the centre, beyond that a large tree-shaded patio and finally the hotel itself with its architectural ancestry apparently stemming from a cross between a Trappist monastery and a Spanish hacienda . It was, in point of fact, one of the best and â almost by definition â one of the most exclusive and expensive hotel-restaurants in Southern Europe: The Hotel Baumanière.
To the right of the patio, approached by a flight of steps, was a very large forecourt and leading off from this to the south, through an archway in a magnificently sculptured hedge, was a large and rectangular parking