Can't and Won't: Stories

Can't and Won't: Stories Read Free Page B

Book: Can't and Won't: Stories Read Free
Author: Lydia Davis
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the pain did not subside—I was in agony and running a fever. So yesterday I went to have it pulled. On my way to see him, I had to cross the old marketplace where they used to execute people, not so long ago. I remembered that when I was only six or seven years old, returning home from school one day, I crossed the square after an execution had taken place. The guillotine was there. I saw fresh blood on the paving stones. They were carrying away the basket.
    Last night I thought about how I had entered the square on my way to the dentist dreading what was about to happen to me, and how, in the same way, those people condemned to death also used to enter that square dreading what was about to happen to them—though it was worse for them.
    When I fell asleep, I dreamed about the guillotine; the strange thing was that my little niece, who sleeps downstairs, also dreamed about a guillotine, though I hadn’t said anything to her about it. I wonder if thoughts are fluid, and flow downward, from one person to another, within the same house.

Letter to a Frozen Peas Manufacturer
     
    Dear Frozen Peas Manufacturer,
     
    We are writing to you because we feel that the peas illustrated on your package of frozen peas are a most unattractive color. We are referring to the 16 oz. plastic package that shows three or four pods, one of them split open, with peas rolling out near them. The peas are a dull yellow green, more the color of pea soup than fresh peas and nothing like the actual color of your peas, which are a nice bright dark green. The depicted peas are, moreover, about three times the size of the actual peas inside the package, which, together with their dull color, makes them even less appealing—they appear to be past their maturity and mealy in texture. Additionally, the color of your illustrated peas contrasts poorly with the color of the lettering and other decoration on your package, which is an almost harsh neon green. We have compared your depiction of peas to that of other frozen peas packages and yours is by far the least appealing. Most food manufacturers depict food on their packaging that is more attractive than the food inside and therefore deceptive. You are doing the opposite: you are falsely representing your peas as less attractive than they actually are. We enjoy your peas and do not want your business to suffer. Please reconsider your art.
     
    Yours sincerely.

The Cornmeal
     
    This morning, the bowl of hot cooked cornmeal, set under a transparent plate and left there, has covered the underside of the plate with droplets of condensation: it, too, is taking action in its own little way.

II

Two Undertakers
     
    One undertaker, taking a body north on the highway, in France, stops at a roadside restaurant for a bite of lunch. There he meets another undertaker, a colleague known to him, who has also stopped for a bite of lunch and who is taking a body south. They decide to sit at the same table and have their meal together.
    This encounter of two professionals is witnessed by Roland Barthes. It is his own deceased mother who is being taken south. He watches from a separate table, where he sits with his sister. His mother, of course, lies outside in the hearse.

I Ask Mary About Her Friend, the Depressive, and His Vacation
     
    One year, she says
    “He’s away in the Badlands.”
     
    The next year, she says
    “He’s away in the Black Hills.”

The Magic of the Train
     
    We can see by the way they look from behind, as we watch them walk away from us down the train car, past the open doors of the toilets, through the sliding doors at the end, into some other part of the train, we can tell by the backs of them, these two women, in their tight black jeans, their platform heels, their tight sweaters and jean jackets in fashionable layers, their ample, loose, long black hair, the way they stride along, that they’re in their late teens or maybe their early twenties. But when they come back the other way

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