jealousy and selfishness. She had no knowledge of jealousy, but could she be guilty of selfishness, even without knowing it? The headdress would help to give her strength, as would the little purse, the mirror, the fan, and the kaiken , the delicatelittle knife with its tasselled sheath. She wondered why a bride should carry a defensive blade. As a talisman against bad luck perhaps? And a bride dishonoured would use a kaiken ; the woman’s traditional weapon.
She looked at the blossom beyond the window, and became aware of birdsong. Would she one day learn to recognise new and different birds? And what flowers would she see, would a different sort of sunlight fall on the green places, if she was lucky enough to be taken to America? What was an American garden? Not moss and shale and water, not stones set calmly in raked gravel. She pictured bright orange flowers and trees towering into a bright blue sky, houses taller than the trees, with windows that glittered – in the magazines she had seen, brought by visitors returning from their travels, the pictures sparkled: ice cream parlours and hot dog stands, the women’s little dresses, their tilted hats, everything in America was brightly coloured.
She returned to the details that carried no uncertainty: a white nuptial gown and a scarlet kimono, its hem padded to swirl and trail. It should have long sleeves and a stiff obi sash. A sash tied in a cho-cho knot that resembled a butterfly – she must learn to tie the sash . . .
Slowly, as though her bones were melting, she sank to the floor, resting her head against her knees. She could no longer hold back the tears that welled and spread, soaking the cloth of her garment.
She was shivering as if from a fever; her hands icy, although the air was not cold. The room was bare; no ceremonial costumes were spread out around her. She tried to hold on to the imagined bridal scene, doggedly listing the traditional items. She dwelt on silk, ivory, tortoiseshell. Pretty pictures. But she knew that in due course, when a wedding ceremony of sorts had taken place and the sliding shoji doors had closed against the outside world, she would be alone with a stranger who had purchased her body. He would expect her to remove the kimono and please him.
Shikata ga nai. The old expression said it all: nothing to be done about it .
But she was fifteen and she was afraid.
The curving path led up from the harbour, came into view at the headland, then vanished behind maple trees. She had been watching closely, but she must have glanced away and missed a moment, for she saw now that a man was walking towards the house and was already halfway up the hill. Dressed in white, the peak of his cap shading his face, until with a sudden movement he removed it to wipe what must be sweat from his brow, and revealed gleaming gold hair. She was astonished: golden hair, so bright, so American!
He turned back and waited, and she saw that a second man was following him, a thin, dark, older man in a sombre suit: the consul, Sharpless-san. She had met him before; he knew her father. The two men continued up the hill, walking side by side, and to Cho-Cho watching them it seemed as though the bright shining American was accompanied by a man-shaped shadow.
3
Sharpless made the introduction: ‘Lieutenant Benjamin Franklin Pinkerton, Cho-Cho-san . . .’
In the course of a working week the consul frequently found himself introducing strangers for one reason or another, though not usually to assist in selling a girl to a sailor. This exercise was distasteful, he would have preferred to withdraw, but he was needed, to translate, to lend a veneer of social normality to the transaction.
The formalities of arrival had been observed, the two men removing their shoes by the door. Now Pinkerton attempted a handshake just as Cho-Cho folded her body into a fluid bow, so that his knuckles collided glancingly with her cheekbone.
‘Ah!’ She recoiled, apologetic, feeling
Irene Garcia, Lissa Halls Johnson