dying too.
for there is nothing as crappy dissolute
as an old poet gone sour
in body and mind
and luck, the horses running nothing but out,
the Vegas dice cancer to the thin green wallet,
Shostakovich heard too often
and cans of beer sucked through a straw,
with mouth and mind broken in
young men’s alleys.
in the hot noon window
I swing and miss a razzing fly,
and ho, I fall heavy as thunder
but downstairs they’ll understand:
he’s either drunk or dying,
an old poet nodding vaguely in halls,
cracking his stick across the backs
of innocent dogs
and spitting out
what’s left of his sun.
the mailman has some little thing for him
which he takes to his room
and opens like a rose,
only to scream loudly and vainly,
and his coffin is filled
with notes from hell.
but in the morning you’ll see him
packing off little envelopes,
still worried about
rent
cigarettes
wine
women
horses,
still worried about
Eric Coates, Beethoven’s 3rd and
something Chicago has held for three months
and his paper bag of wine
and Pall Malls.
42 in August, 42,
the rats walking his brain
eating up the thoughts before they
can make the keys.
old poets are as bad as old queers:
there’s something quite unacceptable:
the editors wish to thank you for
submitting but
regret…
down
down
down
the dark hall
into a womanless hall
to peel a last egg
and sit down to the keys:
click click a click,
over the television sounds
over the sounds of springs,
click clack a clack:
another old poet
going off.
the race
it is like this
when you slip down,
done like a wound-up victrola
(you remember those?)
and you go downtown
and watch the boys punch
but the big blondes sit with
someone else
and you’ve aged like a punk in a movie:
cigar in skull, fat gut,
but only no money,
no wiseness of way, no worldliness,
but as usual
most of the fights are bad,
and afterwards
back in the parking lot
you sit and watch them go,
light the last cigar,
and then start the old car,
old car, not so young man
going down the street
stopped by a red light
as if time were no problem,
and they come up to you:
a car full of young,
laughing,
and you watch them go
until
somebody behind you honks
and you are shaken back
into what is left
of your life.
pitiful, self-pity,
and your foot is to the floor
and you catch the young ones,
you pass the young ones
and holding the wheel like all love gone
you race to the beach
with them
brandishing your cigar and your steel,
laughing,
you will take them to the ocean
to the last mermaid,
seaweed and shark, merry whale,
end of flesh and hour and horror,
and finally they stop
and you go on
toward your ocean,
the cigar biting your lips
the way love used to.
vegas
there was a frozen tree that I wanted to paint
but the shells came down
and in Vegas looking across at a green sunshade
at 3:30 in the morning,
I died without nails, without a copy of the Atlantic Monthly,
the windows screamed like doves moaning the bombing of Milan
and I went out to live with the rats
but the lights were too bright
and I thought maybe I’d better go back and sit in a
poetry class:
a marvelous description of a gazelle
is hell;
the cross sits like a fly on my window,
my mother’s breath stirs small leaves
in my mind;
and I hitch-hiked back to L.A. through hangover clouds
and I pulled a letter from my pocket and read it
and the truckdriver said, what’s that?
and I said, there’s some gal up North who used to
sleep with Pound, she’s trying to tell me that H.D.
was our greatest scribe; well, Hilda gave us a few pink
Grecian gods in with the chinaware, but after reading her
I still have 140 icicles hanging from my bones.
I’m not going all the way to L.A., the truckdriver said.
it’s all right, I said, the calla lilies nod to our minds
and someday we’ll all go