she’ll hate herself.
I cross the room, clamp a hand over her mouth and crush my arm across her chest, compressing her lungs so she can’t draw a breath. She lives at my discretion. I can take her breath. I can give it back.
I wonder, pushed to the wall, stripped of all defenses, tested beyond endurance, just who might MacKayla Lane become?
I press my mouth to her ear. My words are soft. “Go home, Ms. Lane. You don’t belong here. Drop it with the Gardai. Stop asking questions. Do not seek the Sinsar Dubh or you will die in Dublin. I haven’t been hunting it this long and gotten this close to let anyone get in my way and fuck things up. There are two kinds of people in this world: those who survive no matter the cost, and those who are walking victims.” I lick the vein fluttering in the side of her neck. Her heart is beating like a frightened rabbit. Fear doesn’t arouse me. Yet my dick is so hard again that it hurts. I should end it here. Rip out her throat, leave her dead in her dingy, small flat. Perhaps I’ll kill her tomorrow. Perhaps I’ll chain her in my bookstore for a time. I’ll give her a single chance to run. If she stays, I am absolved of responsibility for anything that befalls her. “You, Ms. Lane, are a victim, a lamb in a city of wolves. I’ll give you until nine P.M . tomorrow to get the bloody hell out of this country and out of my way.”
I let her go, and she crumples to the floor.
Then I bend over her, touch her face, whisper the ancient words of a druid spell, and when I am done the only memories she retains of this night are of conversation and threat. She will never know that tonight she was mine.
Don’t hide your mistakes ,
’Cause they’ll find you, burn you
—“Get Out Alive” by Three Days Grace
Part I
Some of us are born more than once.
Some of us re-create ourselves many times.
Ryodan says adaptability is survivability.
Ryodan says a lot of stuff.
Sometimes I listen.
All I know is every time I open my eyes,
My brain kicks on, something wakes up deep in my belly
And I know I’ll do anything it takes.
To. Just. Keep. Breathing.
—From the journals of Danielle O’Malley
PROLOGUE
Fire to his ice, frost to her flame.
The Unseelie King stared down at the unconscious woman in his wings. She was his soul mate. He knew it the moment he found her. He’d been tortured by it every moment since he’d lost her.
In the brief time they’d shared together, he’d experienced the only true joy of his existence. Before that, darkness had ebbed and flowed in him as incessant as a stormy sea. He’d thought perhaps it was because he was young and in a quarter of a million years, give or take a few, the disquiet might ease.
To pass the restless eons, he’d made things, scraping together matter and reshaping it into mountains and trees, oceans and deserts, planets and stars, galaxies and black holes. All but one power was his: the Song of Making, which legend said had begun it all and could call forth the very fundamentals of existence. That magic belonged to the queen of his race alone.
The Seelie Queen rarely used any portion of the cataclysmic melody. As with all great power, it demanded great price. Legend held their race had stolen the sacred song in times more ancient than any of them recalled, as humans had stolen firefrom their gods. If this seemed to imply the Fae had gods, the king knew better. There was nothing out there but him. He’d been looking for a long time.
Epochs passed. Civilizations rose and fell. Bored, dissatisfied, the king built and wrecked worlds and built again. He made a halfhearted attempt to live for a time at court with the Seelie Queen and count the centuries by her petty intrigues. The ancient tapestries claimed she had been sung into existence just for him. But her views were cold and limited, her court too gaudy and bright for eyes that had stared for eons at black velvet and stars, and theirs