hand. If in the late wars of York and Lancaster, their fathers and grandfathers picked the wrong side, they keep quiet about it. A generation on, lapses must be forgiven, reputations remade; otherwise England cannot go forward, she will keep spiralling backwards into the dirty past.
He has no ancestors, of course: not the kind youâd boast about. There was once a noble family called Cromwell, and when he came up in the kingâs service the heralds had urged him for the sake of appearances to adopt their coat of arms; but I am none of theirs, he had said politely, and I do not want their achievements. He had run away from his fatherâs fists when he was no older than fifteen; crossed the Channel, taken service in the French kingâs army. He had been fighting since he could walk; and if youâre going to fight, why not be paid for it? There are more lucrative trades than soldiering, and he found them. So he decided not to hurry home.
And now, when his titled hosts want advice on the placement of a fountain, or a group of the Three Graces dancing, the king tells them, Cromwell here is your man; Cromwell, he has seen how they do things in Italy, and what will do for them will do for Wiltshire. Sometimes the king departs a place with just his riding household, the queen left behind with her ladies and musicians, as Henry and his favoured few hunt hard across the country. And that is how they come to Wolf Hall, where old Sir John Seymour is waiting to welcome them, in the midst of his flourishing family.
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âI donât know, Cromwell,â old Sir John says. He takes his arm, genial. âAll these falcons named for dead womenâ¦donât they dishearten you?â
âIâm never disheartened, Sir John. The world is too good to me.â
âYou should marry again, and have another family. Perhaps you will find a bride while you are with us. In the forest of Savernake there are many fresh young women.â
I still have Gregory, he says, looking back over his shoulder for his son; he is always somehow anxious about Gregory. âAh,â Seymour says, âboys are very well, but a man needs daughters too, daughters are a consolation. Look at Jane. Such a good girl.â
He looks at Jane Seymour, as her father directs him. He knows her well from the court, as she was lady-in-waiting to Katherine, the former queen, and to Anne, the queen that is now; she is a plain young woman with a silvery pallor, a habit of silence, and a trick of looking at men as if they represent an unpleasant surprise. She is wearing pearls, and white brocade embroidered with stiff little sprigs of carnations. He recognises considerable expenditure; leave the pearls aside, you couldnât turn her out like that for much under thirty pounds. No wonder she moves with gingerly concern, like a child whoâs been told not to spill something on herself.
The king says, âJane, now we see you at home with your people, are you less shy?â He takes her mouse-paw in his vast hand. âAt court we never get a word from her.â
Jane is looking up at him, blushing from her neck to her hairline. âDid you ever see such a blush?â Henry asks. âNever unless with a little maid of twelve.â
âI cannot claim to be twelve,â Jane says.
At supper the king sits next to Lady Margery, his hostess. She was a beauty in her day, and by the kingâs exquisite attention you would think she was one still; she has had ten children, and six of them are living, and three are in this room. Edward Seymour, the heir, has a long head, a serious expression, a clean fierce profile: a handsome man. He is well-read if not scholarly, applies himself wisely to any office he is given; he has been to war, and while he is waiting to fight again he acquits himself well in the hunting field and tilt yard. The cardinal, in his day, marked him out as better than the usual run of Seymours; and he himself,
David Sherman & Dan Cragg