you get in bed you canât help it, itâs a real performance, it all pours out, but slowly, you go easy until you canât anymore, or you hold back the whole time, you hold back and touch the edges of everything, you edge around until you have to plunge in and finish it off, and when youâre finished, youâre too weak to stand but after a while you have to go to the bathroom and you stand, your legs are trembling, you hold on to the door frames, thereâs a little light coming in through the window, you can see your way in and out, but you canât really see the bed.
So itâs not really $100 a shot because it goes on all day, from the start when you wake up and feel her body next to you, and you donât miss a thing, not a thing of
whatâs next to you, her arm, her leg, her shoulder, her face, that good skin, I have felt other good skin, but this skin is just the edge of something else, and youâre going to start going, and no matter how much you crawl all over each other it wonât be enough, and when your hunger dies down a little then you think how much you love her and that starts you off again, and her face, you look over at her face and canât believe how you got there and how lucky and itâs still all a surprise and it never stops, even after itâs over, it never stops being a surprise.
Itâs more like you have a good sixteen or eighteen hours a day of this going on, even when youâre not with her itâs going on, itâs good to be away because itâs going to be so good to go back to her, so itâs still here, and you canât go off and look at some old street or some old painting without still feeling it in your body and a few things that happened the day before that donât mean much by themselves or wouldnât mean much if you werenât having this thing together, but you canât forget and itâs all inside you all the time, so thatâs more like, say, sixteen into a hundred would be $6 an hour, which isnât too much.
And then it really keeps going on while youâre asleep, though youâre probably dreaming about something else, a building, maybe, I kept dreaming, every night, almost, about this building, because I would spend a lot of every morning in this old stone building and when I closed my eyes I would see these cool spaces and have this
peace inside me, I would see the bricks of the floor and the stone arches and the space, the emptiness between, like a kind of dark frame around what I could see beyond, a garden, and this space was like stone too because of the coolness of it and the gray shadow, that kind of luminous shade, that was glowing with the light of the sun falling beyond the arches, and there was also the great height of the ceiling, all this was in my mind all the time though I didnât know it until I closed my eyes, Iâm asleep and Iâm not dreaming about her but sheâs lying next to me and I wake up enough times in the night to remember sheâs there, and notice, say, once she was lying on her back but now sheâs curled around me, I look at her closed eyes, I want to kiss her eyelids, I want to feel that soft skin under my lips, but I donât want to disturb her, I donât want to see her frown as though in her sleep she has forgotten who I am and feels just that something is bothering her and so I just look at her and hold on to it all, these times when Iâm watching over her sleep and sheâs next to me and isnât away from me the way she will be later, I want to stay awake all night just to go on feeling that, but I canât, I fall asleep again, though Iâm sleeping lightly, still trying to hold on to it.
But it isnât over when it ends, it goes on after itâs all over, sheâs still inside you like a sweet liquor, you are filled with her, everything about her has kind of bled into you, her smell, her voice, the way her body