pebbles misshapen by tides, smoothed by the comings and goings of oceans. No. They arenât my hands. How could they be? She was a young girl. Sixteen, seventeen. How old? How old? These could not be her hands.
She turned her face away from Domareski. There was a white window, windblown snow. The trainâbut she couldnât remember stepping onto the train, or being carried; visions, dreams, remembered fragments of motion. Who could ever be sure?
âRelax,â Domareski said. He was standing over her. He held his black bag under his arm, clutched to his side.
âI want to see Aaron,â she said. It was not her own voice, it hadnât come out the way she had wanted it; it was deeper, old, infirm.
Aaron. She saw a hand rise in the air and watched it flutter slightlyâa bulbous hand, gnarledâand then it fell to her side again, as if she were ashamed of it. The young girl, the old love: they were things trapped in photographs, ancient daguerreotypes, deceits. None of it had ever happened. There hadnât ever been an Aaron, a child.
She turned her head to look at the Physician. Iâm sorry. Iâm very sorry. He was trying to tell her that. She could hear the words.
âDid you ask about my visa?â she said.
âYesââ
She looked toward the window. Dark smoke, blown from the front of the train, whipped through the swirling snow. The visa, he was trying to tell her: Iâm sorry. Iâm really sorry.
âPlease,â he said. âDonât try to sit up. Later. Not now.â
âWhat about the visa?â she said.
âI promise,â he said. âItâs a matter of clarifying things with Comrade Sememko, thatâs all.â
She shut her eyes, thinking it strange that Domareskiâs medication caused her to feel an absence of herselfâas if the physical body no longer existed and you became a creature composed entirely of mind and nothing else. Itâs a matter of clarifying things with Comrade Sememko . But the Physician was lying to her again. She opened her eyes, thinking of how the snowy light hurt her, and looked at him. But he was busy, pretending to be busy, with the clasp of his bag.
âPeople donât always need to do what theyâre told,â she said. âDonât you understand that? Thereâs a point you reach when â¦â
âYes.â He opened the bag, looked inside, snapped it shut. âYou should sleep now. Please.â
Sleep? What good to her was sleep? It was a kind of dying, losing your hold on things, slipping and sliding down a slope at the foot of which there lay darkness. She didnât want that dark; she wanted light, remembrance, rooms filled with sun and warmth, a memory of seeing Aaron walk through the pines with the baby in his arms. But why now did these seem like the memories of another person?
She could feel her eyelids close. She could hear Domareski turn from the bed toward the door, the slight noise made as he slid the door open, then shut it behind him. Alone. Clackclacketyclack . A white wilderness. She pressed her hands together, appalled by the way they felt to her. She thought: Donât. Donât feel them. They arenât a part of you.
She turned on her side, face toward the wall.
Aaronâbut Aaron was dead. She rememberedâwhen? dear God, when had this happened?âshe remembered taking a pair of scissors and cutting a wedge of material from a garment, the insignia of widowhood. A tiny triangular space, an absence. Yes. Dead. And you are not a young girl, you are not sixteen, seventeen, whatever, married, married to Aaron, you are an old woman, an old woman twisted by pain and racked by remembrances and scared ofâ
hua tse-ling
a soldier, a young man, hua tse-ling, he had come across the ice in his heavy overcoat
I made him do it. It was me, she thought. I brought him.
please please donât thereâs such pain such a blinding