seventies or early eighties, dressed in jeans, an L. L. Bean checked shirt, and a blue, billed cap bearing the legend, `Toto, I don't think we're in Kansas any more. The `Old Guy', as the investigators called him, carried a thick walking cane with a duck's head brass handle. At the moment the picture had been taken, he had the cane raised, pointing directly at Mark Fish's car. Once this photograph had been enlarged and enhanced, there was little doubt that the `Old Guy' had been the assassin, and that his walking stick was, in reality, some kind of deadly weapon.
And nobody could account for the reason Mark Fish had rolled down his rear window, thereby making the assassin's job a thousand times easier.
Only a couple of international newspapers picked up on the fact that three high-profile figures, and one very senior intelligence officer, had been murdered in as many days, and in as many countries, but no link was officially made by any of the law-enforcement organizations involved.
Yet the truth was that, in less than one week, four prominent victims had died in various ruthless, brutal acts of violence. Though nobody linked the deaths, one thing was certain: each of them had been a target; each had been stalked, sought out and killed with some care and preparation; and, while the specialists in terrorism had named possible groups as the perpetrators of these killings, no organization had come forward to claim responsibility an oddity that was the one constant in the four deaths, for terrorist groups are rarely slow in claiming success after a carefully planned operation.
On the Friday of the same week, another killing took place. This time it happened in Switzerland, and the victim could not by any stretch of the imagination be called high profile. In fact, she was just the opposite, and it was this fifth death which brought James Bond into the picture.
CHAPTER TWO
GAZING DOWN AT THE JUNGFRAU
She left her hotel in Interlaken at around ten-thirty in the morning. Switzerland's Bernese Oberland always had a calming effect on her, and Laura March needed peace and quiet more than ever before.
As a child, her parents had often brought her to this part of Switzerland and she remembered her father telling her, years ago, how therapeutic it was simply to sit and look at the mountains. She desperately needed to think, allow the pain to subside, and reassess her life.
It had rained on and off all the previous day, but this morning the sky was cloudless, the deep and perfect blue seen only at high altitudes. The mountains, with their constant caps of snow, were clear and sharp against the skyline and, in the distance, she could just see the great curve of rock which looked like the breast of a young woman the reason they called that particular mountain the Jungfrau.
At the Interlaken West station, Laura boarded the train to Grindelwald. She was always amazed that so little had changed here since her childhood.
Even her travelling companions seemed familiar to her: a group of chattering young people on a day trip, led by a solemn, plump woman, bossy and arrogant; there was an unsmiling young man, wearing stout walking boots, his rucksack on the luggage rack, face buried in some guide book, out for a day or two of serious walking; a middle-aged couple, healthy and red faced, dressed in jeans and sweaters, and a dozen other people, all remembered from the long-ago days when she had gazed in wonder from the rattling train window, clutching her father's hand.
Everything was familiar, from the long slanted roofs of the chalets, to the splash of colour in window boxes, and the smell. All countries, she thought, had a particular scent to them, retained in the memory of visitors, and immediately recognizable on return. Her father had often said that he remembered the smell of Switzerland, rather than the views, and she had known what he meant. Her mother used to say it was the smell of money, but that was a family joke. The scent of