arms, painted in blurry dark lines to indicate fur. But the hands were human hands, and its legs, though furred, ended in human feet. One leg was oddly foreshortened—either badly drawn or meant to indicate that the creature had been injured.
The rest was merely monstrous. A striped, swayed back like a horse’s; long tail ending in a fox’s white point; a slender, curved shape hanging between its legs, that I knew must represent a penis. I grimaced and looked away, trying to find the creature’s face.
That was even worse. A face like a hideous mask, sitting square on its shoulders and staring straight out from the stone. The outline of the head was like that of a deer, and two asymmetrical antlers corkscrewed from its brow. Instead of a muzzle there was only a long black gash to indicate a nose or mouth, shading into lines sketched beneath to indicate a ruff.
But most dreadful of all were the creature’s eyes. Huge, round, staring eyes, the irises daubed dead-white, the pupils black pinpricks: two blank orbs unsoftened by lashes or lids or anything that might have lent them the faintest breath of humanity. They could have been a serpent’s eyes, or an owl’s; they could have been the glaring sockets of a skull. I started to shake, and stumbled backward for the door.
That was when I saw her.
“Hi,” she said. Her voice was low and breathy, as though she were talking to herself. But her eyes—wide and staring as those of the creature in the painting, but etched with green like leaves on dark water—her eyes were fixed on me.
“You know, I was going to tell you something,” she went on, absently scratching her head. “But I forgot, and then you were, you know—” She made a flurrying gesture. “— gone. And then I got worried…”
She was at the far end of the room, leaning against the wall. Not anywhere near the door—but then how else could she have gotten in? There was no other entrance, and I was certain I would have heard her, or seen the door open. The sound of the wind in the leaves rose and died away as I looked around in a panic. The girl continued to stare at me. After a moment she slid down to the floor, her patchwork bag beside her.
“Hey…” She beckoned me. “Come here—”
I hesitated. Then I went. After all, I was only twelve; she was older, but not old enough to seem dangerous. As I crossed the room I felt the gaze of that dreadful figure in the stone follow me. But I refused to look back, squeezing my eyes shut and taking tiny careful steps until I reached the other side. I opened my eyes then. The girl smiled up at me, and my terror faded. It was like one of my own friends smiling at me, welcoming and without guile, and somehow complicitous.
“I know who you are,” she said. She scooched over, patting the floor as though she were plumping a sofa cushion. I settled beside her, trying to arrange my velvet dress so it wouldn’t get dirty, and still being careful not to let my gaze fall on the rock painting opposite.
“Pretty,” she said, stroking my dress. Once more she gave me that ravishing smile. “You’re the godchild. Charlotte. Right?”
I shrugged and said, “Yes.”
She looked pleased, and started playing with the hem of her dress. There were runs in it, spots where the metallic blue fabric was so frayed you could see right through.
“You know how I know that?” Her lips were dry and cracked. She licked them, over and over and over, until a seam of blood appeared. “Because I am, too. Did you know that?”
“No,” I said shyly.
She nodded. “So we’re sort of related. Right? So that’s why I wanted to talk to you. Because of what happens to us. Just so you’ll know.”
She leaned toward me, and once again I caught that rank chemical smell. “No one understands about Axel. People think they do, they see the movies and read all that stuff but no one really knows. Except me.”
She took my hand and opened it, traced the lines on my palm the way my
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