Black Arts: A Jane Yellowrock Novel Read Free Page A

more than saw, Big Evan approach the house, blocking off the light at the door for a long space of time as he made up his mind to enter. Standing in the middle of the foyer, his hands hanging loose and empty, he said, “Molly’s not here? You haven’t seen her? For real?”
    “For real,” I said. His face looked ravaged, his eyes bleary.
    “Details,” Eli said, setting the tools on the floor and kicking aside broken glass.
    I wanted to make Big Evan talk, with my fists, if necessary, but the children were more important. I moved into the house and sat on the couch, holding my godchildren to me. My partners, Eli and his little brother, the Kid, were a well-oiled team, capable and self-reliant. They had listened to the dialogue between Big Evan and me and were already getting to work, even though it wasn’t a for-pay search. Money was important, but not even close to the importance of family. The Truebloods were my family.
    “I saw her last on Monday. I kissed her and left for work in town. I have a gig installing lights in a new bar. When I got home that night, her sisters were there.” He stepped into the house and stood in the foyer, so tired he was nearly wavering on his feet. “Regan and Amelia. Babysitting. Not unusual. Until they left and I found the note on the bed.”
    The hurt in his voice made my eyes tear up. “Evan, may I see the note?” He put a hand to his back pocket, but didn’t pull anything from it. “Does the note tell you why you thought Molly was coming to New Orleans? Coming to see me?”
    Evan handed me the paper. It was oft folded and worn, shaped to a slightly rounded curve, like the way a wallet shapes to the wearer’s buttock.
    Juggling children, I slowly opened the note and read aloud. “Darlin’, I’ve gone to New Orleans to make things right with Jane, and put some other things to rights too. I can’t hide from it anymore. But don’t try to contact me. I’ll be busy and not able to answer for a while. I love you with all my heart and soul and might. Kiss our babies. Molly.” Something about the message sounded so final. As if a good-bye was included in the words, without ever being said. I turned the paper over. Nothing was written on the back. “What can’t she hide from anymore?” I asked.
    “I don’t know. Something about her magic. She was having trouble growing things, making them thrive. The woods behind the house were hit with some kind of blight, beetles or fungus or something, and they were dying and she . . . couldn’t make them right.”
    Put some other things to rights too, she had written, like maybe a hitch in her magic. But what was magical here that could help her? Except the magical implements and gizmos in my possession, which she knew about. Not that Molly would ever use black magic items. So it had to be something else, like the witches here in New Orleans, who might know things she didn’t. I hadn’t attempted to get to know the witches here. Maybe I should have.
    Softly, I said, “You really could have called. I’d have told you she wasn’t here. I’d have helped.”
    “But Mol said she was coming. Why would she say she was coming and then not show up?” He asked again, “You really haven’t—”
    “No. I haven’t seen or heard from her.” I started to ask more questions, but the tension in the small bodies in my arms suggested that the children needed a break from their overwrought father and his worry. Folding the note, I repositioned Little Evan and handed it back, to see Big Evan tuck it carefully in his pocket, as if he’d done it hundreds of times in the last few days, maybe rereading it over and over, looking for reasons or information he’d missed on a previous read. Maybe just holding it because Molly had touched it. “Are you hungry?” I asked the children, pulling them closer, feeling them snuggle against me. “I have cheese toast. Ravioli.” And steaks and salad and oatmeal and beer. I’d need to shop or send out