as picture-postcard prettiness, or a series of quaint photographs in a calendar they would send to relatives back in the city.
The others had fallen quiet.
âSit yourselves down,â Mrs Caseley told them, with an effort at hospitality. âIâll make you some tea.â
âNo, really,â Suzie protested. âYou donât need to bother. We only wanted to ask you whether there are any cottages on the farm. Somewhere a married labourer might have lived and brought up his family.â
But Mrs Caseley was already retreating into the kitchen.
The Fewings sat on the hard-cushioned furniture looking at each other in some embarrassment.
Suzie whispered to the children, âIf she offers you something to eat, say no, thank you.â
The picture was running through her mind of Philip Caseley, agitated, with the gun in his hand. How strained was this marriage, the two of them all alone up here, with money tight?
She need not have worried. Mrs Caseley came back with a tray set with flowered cups and saucers of strong tea. Suzie was relieved to see that she hadnât opened a packet of biscuits in their honour.
She had thought that the woman hadnât heard her question as she left the room, but the farmerâs wife said as she set down the tray, âWell, no. I canât say as there are any cottages standing on the farm. If there were, Iâve no doubt Phil would have had them done up and sold them off. Lord knows we need the money. But there are some broken-down walls back in the woods. Cob needs to keep its hat and boots on. If you donât put a roof on it and keep it out of the wet, itâll sink back into the earth it was got from.â
Suzie felt a thrill of excitement. The ruins of a cottage might not look much now, but she knew if she saw it, her imagination could supply the picture of what it had once been. She would be able to see Richard setting out to work on the farm in the early morning; Charlotte in her apron, feeding the chickens, making butter, scrubbing floors. And the children. How many of them were there? Six, she thought, before they packed up their belongings and took the long journey down to the coast and the dockyard town.
She jerked back to the present.
âWhere can we find these ruins?â Nick was saying. âIs it OK if we go looking in the woods? Your husband had been out shooting when we met him. We wouldnât want to get mistaken for a fox, or whatever it was he was after.â
The spoon rattled against the cup Mrs Caseley was handing to Millie.
âYou heard that, did you?â There was a moment of silence. âNo. Youâve nothing to worry about. Go back down the track until you see a smaller path going off to your left. Itâll be a couple of hundred yards down there. I hope youâre not wearing your best clothes. Likely as not itâll be grown over with brambles. Phil and me, weâve not much call to go down there.â
âDo you come from Moortown yourself?â Suzie asked. âIâve got quite a few ancestors there. We might be related.â
âI was Eileen Taverner before I was married. On my motherâs side it was the Hutchings. I canât say as I know much about them before Granddad and Granny Hutchings. They kept a greengrocerâs shop. How far back they went, I couldnât tell you.â
âIâve got Taverners on my family tree! Charlotte Dayâs father was a Taverner. He was a stonemason, out near the tollgate on the east road.â
She had hoped Eileen Caseley might react with enthusiasm, and they could have enjoyed speculating about how close their relationship really was. But the womanâs pale, tired face showed no reaction. The fear all the Fewings had sensed in the farmyard had faded, leaving a dull apathy. Suzie shivered. How nearly might this have been her own experience?
Yet why was Eileen Caseley dressed so smartly this Saturday afternoon on the farm?