you than youâve said.â
âPerhaps,â I said unwillingly.
âNo. Definitely. Donât think I donât know what you expect of me, Molly.â
âI asked you a question before.â
âYes, you did. On the basis of what you found this morning when you turned up and I wasnât there.â
âI can put two and two together.â
âAnd much more than that, much much more. Molly, youâre a thoroughly grown-up woman in most respects.â
âIn what respects am I not?â
âIn your tendency to jump to conclusions.â
âI see nothing ungrownup about that.â
âBut already, you see, you have me involved with someone you donât even know about.â
âWell, arenât you?â I cried.
âYes,â he said defiantly, roughly, âI happened to be with a close friend last night. Yes, and the night before that too.â
âOkay, Conrad! Okay!â
âYouâll note that what I said was with! â
âWhy couldnât you just say it in the first place?â
âBecause I cared about how you heard it, goddamn it!â
We had both been shouting back and forth at each other in the little car. We looked at each other in amazement and fright. Conrad steered to the left and pulled over in front of a hydrant. I noticed beads of sweat on his face. Wet rings of hair were plastered to his forehead. I could see that he was suffering, that he must have felt humiliated. I would have if I had been him. His blue eyes looked at me pleadingly like my kidâs did when Iâd scolded him too hard. I almost took my hand and brushed his hair back from his forehead. I thought I was going mad with the anger and love all knotted up inside me and all that had happened to me that day and Conradâs tortuous logic going round in my head and confusing me further.
And now he began saying some things that were perfectly true. I couldnât argue with them. That all of us came into each otherâs lives from wherever it was weâd been before. That nothing was ever neat, especially for people who lived fully. We came to each other trailing old relationships, old attachments. âAnd who should know that better than you, Molly?â
I had an image of me dragging Fred into Conradâs life like an old vacuum cleaner gliding along on his little runners.
He said something too about nothing ever really being over, which didnât make too much of an impact on me at the time. I wanted only to get to what I thought was the point.
âAnd what about this attachment of yours, Conrad?â
I was determined that day to get the full story out of Conrad, however painful. Without information, how can one make choices? It was facts that I wanted. I made the mistake, however, of forgetting the importance of context. And Conrad was a master of that. He could spin a context out of himself like a great silken web.
The context in which he told me about the other woman in his life was an appeal for sympathy, my compassion for another frail and battered human, a sister if you like. I must confess, though, to having difficulties with the word sister in its all inclusive, non-filial sense. It is absolutely clear to me that there are some women who are my sisters and others who are definitely not. In this case I did not feel particularly sisterly, although I triedâguiltily aware of my political shortcomings.
This woman, my sister, was a modern dancer whoâd become a dance therapist, who was now struggling toward a degree in psychologyâwhich was only one of her problems. It was Conrad who had radicalized her, encouraged her to go to graduate school, to overcome the sense of intellectual inferiority that her disastrous marriage to a self-absorbed experimental filmmaker had left her with. Gradually he had been rebuilding her shattered sense of herself. His restoration was almost completed.
âHenry Higgins,â I