warming now.â
âHa,â Marisol said. âAnd you claim youâre just doing the most straightforward job possible. Youâre addicted to irony. You sat through too many Brecht plays, even though you claim to hate him. You probably loved Beckett as well.â
âAll right-thinking people love Beckett,â said Richard. âSo you had some small success as a playwright, and yet youâre studying to be a doctor. Or you were, before this unfortunate business. Why not stick with the theatre?â
âIs that a question?â Marisol said. Richard started to backpedal, but then she answered him anyway. âI wanted to help people, really help people. Live theatre reaches fewer and fewer people all the time, especially brand-new plays by brand-new playwrights. Itâs getting to be like poetryânobody reads poetry any more. And meanwhile, poor people are dying of preventable cancers every day, back home in Taos. I couldnât fool myself that writing a play that twenty people saw would do as much good as screening a hundred people for cervical cancer.â
Richard paused and looked her over. âYouâre a good person,â he said. âI almost never get picked up by anyone whoâs actually not a terrible human being.â
âItâs all relative. My protagonist who hires a male prostitute to seduce his girlfriend considers himself a good person, too.â
âDoes it work? The male prostitute thing? Does she sleep with him?â
âAre you asking me a question?â
Wolf shrugged and rolled his eyes in that operatic way he did, which heâd probably practiced in the mirror. âI will owe you an extra wish. Sure. Why not. Does it work, with the gigolo?â
Marisol had to search her memory for a second, she had written that play in such a different frame of mind. âNo. The boyfriend keeps feeding the male prostitute lines to seduce his girlfriend via a Bluetooth earpieceâitâs meant to be a postmodern Cyrano de Bergeracâand she figures it out and starts using the male prostitute to screw with her boyfriend. In the end, the boyfriend and the male prostitute get together because the boyfriend and the male prostitute have seduced each other while flirting with the girlfriend.â
Richard cringed on top of the sofa with his face in his insubstantial hands. âThatâs terrible,â he said. âI canât believe I gave you an extra wish just to find that out.â
âWow, thanks. I can see why people hated you when you were a theatre critic.â
âSorry! I mean, maybe it was better on the stage; I bet you have a flair for dialogue. It just sounds so ⦠hackneyed. I mean, postmodern Cyrano de Bergerac ? I heard all about postmodernism from this one graduate student who opened my bottle in the early 1990s, and it sounded dreadful. If I wasnât already sort of dead, I would be slitting my wrists. You really did make a wise choice, becoming a doctor.â
âScrew you.â Marisol decided to raid the relatively tiny liquor cabinet in the panic room, and poured herself a generous vodka. âYouâre the one whoâs been living in a bottle. So. All of this is your fault.â She waved her hand, indicating the devastation outside the panic room. âYou caused it all, with some excessively ironic wish-granting.â
âThatâs a very skewed construction of events. If the white sludge was caused by a wish that somebody madeâand Iâm not saying it wasâthen itâs not my fault. Itâs the fault of the wisher.â
âOkay,â Marisol said. Richard drew to attention, thinking she was finally ready to make her first wish. Instead, she said, âI need to think,â and put the cork back in the bottle.
*Â Â Â *Â Â Â *
Marisol watched a season and a half of I Dream of Jeannie , which did not help at all. She ate some delicious beef