that story of yours! So letâs see, what do I do with my spare time.â (I heard him thinking.) âYou mean besides jack off?"
âWellââ
Eric laughed. âLetâs see. Well, I like to party sometimesââ
âIâm sorry to interrupt, but I have to askâwhen you say party, do you mean literally party, or get high?â
âCan be both, can be both.â
âYou were stoned at my fatherâs house the other day, werenât you?â
âShit! Howâd you know?â
âI could just tell.â
âDo you get high?â
âSometimes.â
âMan, I am so into pot! Ever since I was thirteen. Listen, do you want to come over and get stoned?â
I sat up. âSure,â I said.
âCool.â
Long pause.
âWaitâyou mean tonight?â
âYeah, why not?â
âNo problem, tonightâs fine. I just donât want to keep you from your studying.â
âI told you, I bagged it.â
âOkay. Where do you live?â
âSanta Monica. Have you got a pencil?â
I wrote down the directions.
Through the intercom, I told Jean I was going out to a movie with my friend Gary, after which I got into the car and headed for the freeway. The rush hour traffic had eased, which meant it took me only half an hour to arrive at the address Eric had given me, a dilapidated clapboard house. In the dark I couldnât make out the color.
From the salty flavor of the air, I could tell that the sea wasnât far off.
Dogs barked as I got out of my fatherâs car and opened the peeling picket gate, over which unpruned hydrangea bushes crowded. The planks of the verandah creaked as I stepped across them. In the windows, a pale orange light quavered.
I knocked. Somewhere in the distance Tracy Chapman was singing âFast Car.â
âHey, sexy,â Eric said, pulling open the screen door.
I blinked. He was wearing sweatpants and a Rutgers Crew T-shirt.
âGlad you could make it.â He held the door open.
âMy pleasure,â I said.
I stepped inside. The living room, with its orange carpet and beaten-up, homely furniture, reminded me of my own student days, when Iâd shopped at the Salvation Army, or dragged armchairs in from the street.
âNice place,â I said.
âItâs home,â Eric said. âI mean, itâs not like your dadâs house. Now
that's
what I call a house. Say, you want a beer?â
âSure.â I wasnât about to tell him I hated beer.
He brought two Coronas from the kitchen, one of which he handed me.
â
L'chaim
he toasted.
âCheers,â I said.
Then Eric leapt up the staircase, and since he gave no indication whether or not I was supposed to follow him, I followed him. He took the stairs three at a time.
At the top, four doors opened off a narrow corridor. Only one was ajar.
âStep into my office,â he said, passing through. âAnd close the door behind you.â
I did. The room was shadowy. An architectâs lamp with a long, folding arm illuminated a double mattress on the floor, the blue sheets clumped at the bottom. Against the far wall, under a window, stood a desk piled with textbooks. Clean white socks were heaped on a chair, beneath which lounged a pair of crumpled jockey shorts.
In the space where a side table might have been, a copy of
Family Dancing
lay splayed over the Vintage edition of
A Room with a View.
âHave a seat,â Eric said. Then he threw himself onto the mattress, where, cross-legged, he busied himself with a plastic bag of pot and some rolling papers.
âYou can move all that,â he added, indicating the chair.
Gingerly I put the socks onto the desk, nudged the shorts with my left foot, and sat down.
Unspeaking, with fastidious concentration, Eric rolled the joint. Much about his room, from the guitar to the recharging laptop to the blue-lit CD player (the source of
Corey Andrew, Kathleen Madigan, Jimmy Valentine, Kevin Duncan, Joe Anders, Dave Kirk