former.
His fatherâs poor asset management and the financial realities of keeping up the Walker Theme Park had helped to ensure that he didnât turn into yet another useless blueblood. Instead, he was a hard-hearted, competitive SOB who had a reputation for winning at all costs. It had been an evolution his father, Nathaniel James Walker VI, had never approved of, but then, the manâs opinions and choices had usually been poor in Jackâs opinion. Nathaniel Six, as heâd been known, was the epitome of the Old Guard philanthropist. He felt there was only one proper thing to do with money: Give it away. A gentleman simply didnât tarnish his hands with the ugly business of making the stuff.
It was an entitled way of looking at life, and one that had resulted in his father being much celebrated by the universities, libraries, and museums that were the fortunate recipients of his largesse. Unfortunately, all that philanthropy had also landed him dead broke by the time Jack was twenty-five. The painting had been one of the first things sold to keep up the charade of limitless wealth.
Although Nathaniel Six had been dead for almost five years, Jack could clearly imagine how conflicted his old man would have been at the first Nathanielâs return. The patriarchâs picture was back in the family, but thanks only to Jackâs dirty hands.
What a catch-22, he thought, thinning his lips.
Shaking himself free of the past, Jack figured he shouldnât be quite so pleased with himself. Heâd got the painting, all right. And the goddamn dream.
Heâd gone to preview the piece at the Hall Foundation before the auction, expecting to quickly verify it was in reasonable shape and move along. Heâd done the former, but in the process had met the art conservationist whoâd been keeping him up nights ever since.
Heâd first seen her as sheâd been backing out of an office. Sheâd turned around, her deep red hair swinging over her shoulders, and their eyes had locked. Heâd been intrigued, as any man would have been, but it wasnât like sheâd struck him dumb with her charms.
His old friend, Grace Woodward Hall, president of the Foundation, had introduced them. The woman, Callie Burke, was an art conservationist, and on a whim, heâd invited her to come with them to view the painting. Standing over the canvas, heâd been struck by her thorough commentary on the condition of the painting and her assessment of what needed to be done to properly care for it. Heâd also liked the way sheâd looked at the portrait. Her eyes had clung to his ancestorâs face, as if she were utterly entranced. When heâd asked if she might like to conserve the work, though, she hadnât seemed interested and theyâd gone their separate ways. At least until his head had hit the pillow that night.
Heâd laughed off the dream at first, pleased to find that at the age of thirty-eight his sex drive was as high as it had always been. With each passing night, however, he lost more of his sense of humor. Heâd decided the one saving grace was that theyâd never meet again, so eventually heâd forget about her.
But then last evening, after his successful bid at the auction, his friend Grace had brought up the woman again. Grace had urged him to follow up with this Callie Burke, stopping just short of asking him to do it as a personal favor to her. Evidently, Grace felt confident that Ms. Burke could do the work and pushed him to look into the conservationistâs background so heâd know just how talented she was. By the end of the evening, heâd agreed to play along though he still had no idea why it was so important to his friend.
Looking out over the city, he figured that heâd check into the conservationistâs background tomorrow, and then heâd go find her and ask her again. He wasnât much for giving people second
Corey Andrew, Kathleen Madigan, Jimmy Valentine, Kevin Duncan, Joe Anders, Dave Kirk