United States Government Printing Office. It was a silly holdover from the Agencyâs early days, and taxi drivers werenât fooled; even tour bus guides took pleasure in pointing out what really went on inside the three-story Federal-style building. Who were they kidding? To Mueller the printing office sign fit into the larger pattern of being out of touch, the Agency believing the myths about itself.
Mueller was shown into the corner office by Rose, the directorâs longtime secretary, who put Mueller on a leather sofa that anchored a sitting arrangement at one end of the room, across from a ponderous wood desk. There was no clutter of paper, only stacked file folders, and the director was absorbed in reading a letter. A cold draft filled the room, carrying with it the musty odor of a stodgy Ivy League club. Mounted antelope and mountain lion heads hung on one wall above a shelf of stuffed game birds, and an antique double-barrel shotgun was cocked open on the coffee table by the sofa. Everywhere were framed photos of the director with smiling dignitaries and elegant women. Mueller knew it was unusual to be in the directorâs office. An invitation meant a rare commendation or a private dressing down. One never knew which.
âYou hunt?â the director said, crossing the room letter in hand.
âQuail.â
âGood man. We should go one day. I know a spot on the bay. Before the season opens.â
The director sat opposite Mueller in a high-backed wing chair covered in chintz and tatted antimacassars on the arms. He wore a crimson house robe open at the neck to show necktie, and tan slippers adorned at the toes with floppy dog ears. His hair was thinning, gray, eyes a keen blue, cheeks flush with drinkerâs weight, and his snaggletooth bit on a pipe, which he removed and tapped on an ash tray, and said, almost to himself as much as to Mueller, âYou have to have a few martyrs. Some people have to get killed. Itâs part of this business. I wouldnâtworry about Leisz. He knew what he was getting into when he signed up with us.â
He waved his hand in the air at nothing, like the pope. âHeâs not on my conscience. None of them are. We are not in the conscience business. The Soviets donât play the game that way.â
The director added fresh tobacco to his pipe and applied a match, drawing air to brighten the coals. He looked over his rimless spectacles perched on the end of his thick nose. âI need you to see this through to the end.â He drew on the pipe, releasing quick puffs. Hints of licorice reached Mueller.
âTake some time off if you need to see your son. If you think itâs important. I believe in letting the mind rest so it doesnât fight against the will. . . . This is a grubby business weâre in. Someday weâll both get back to the classroom, you and I. Itâs that fondness for thinking that makes us good at what we do here. The professor finds satisfaction in sorting through details and he feels superior when he passes along knowledge. The spy is the same. The daily grind, the mounds of information, the hours of boredom poking around the mounds of information, punctuated by ecstatic moments of discovery. Good researchers hold no beliefs, make no judgments. Evidence declares itself. Am I lecturing too much?â
Mueller shook his head.
âKind of you, George, but I know when Iâm going on. People sit on that sofa and say nothing because Iâm the man in charge, but sometimes I see theyâre bored. I saw it with my students. Well, to finish the thought. We use intelligence to solve problems and when we look at evidence against our colleagues, our friends,we need to be rigorous and neutral, so our feelings about the men donât corrupt our judgment. Yes?â
The director rose. He stretched with a grimace. âGout is a terrible thing. Awful. I donât know what I did in my past life to deserve