past three by the Oyster Bar clock when Stella arrived in Houghton Street. She jumped out of the taxi and was through the stage door in an instant. If she had given herself time to think, paused to thank the driver or comb her hair, she might have run off in the opposite direction and wasted her moment forever.
‘Stella Bradshaw,’ she told the door-keeper. ‘The producer expects me. My Uncle knows Miss Lipman.’
It came out wrong. All she had meant to say was that she had an appointment with Meredith Potter. While she was speaking, a thin man wearing a duffel coat, followed by a stout man in mackintosh and galoshes, came round the bend of the stairs. They would have swept out of the door and left her high and dry if the doorman hadn’t called out, ‘Mr Potter, sir. A young lady to see you.’
‘Ah,’ cried Meredith, and he pivoted on his heel and stood there, the fist of his right hand pressed to his forehead. ‘We’re just off to tea,’ he said, and frowned, as though he’d been kept waiting for hours.
‘I’m exactly on time,’ Stella said. ‘My appointment was for 3.15.’ When she got to know him better she realised he’d been hoping to avoid her.
‘You’d better come through,’ Meredith said, and walked away down the passage into a gloomy room that seemed to be a furniture depository.
The man in the galoshes was introduced as Bunny. He was the stage manager. Stella wasn’t sure whether he was important or not; his mackintosh was filthy. He gave her a brief, sweet smile and after shaking her hand wiped his own on a khaki handkerchief.
In spite of the numerous chairs and the horsehair sofa set at right angles to the nursery fire-guard, there was nowhere to sit. The chairs climbed one upon the other, tipping the ceiling. A man’s bicycle, its spokes warped and splashed with silver paint, lay upturned across the sofa. There was a curious smell in the room, a mixture of distemper, rabbit glue and damp clothing. Stella lounged against a cocktail cabinet whose glass frontage was engraved with the outline of a naked woman. I’m not going to be cowed, she thought. Not by nipples.
The stage manager perched himself on the brass rail of the fire-guard and stared transfixed at his galoshes. Meredith lit a cigarette and, flicking the spent match into a dark corner, closed his eyes. It was plain to Stella that neither man liked the look of her.
‘Miss Lipman told me to come,’ she said. ‘I’ve not had any real experience, but I’ve got a gold medal awarded by the London Academy of Dramatic Art. And I’ve been on the wireless in Children’s Hour . I used to travel by train to Manchester and when the American airmen got on at Burtonwood they unscrewed the lightbulbs in the carriages. Consequently I can do Deep South American and Chicago voices. There’s a difference, you know. And my Irish accent is quite good. If I had a coconut I could imitate the sound of a runaway horse.’
‘Unfortunately, I don’t seem to have one about me,’ said Meredith, and dropped ash onto the floor. Above his head, skew-whiff on a nail, hung the head of some animal with horns.
‘Actually,’ she amended, ‘I’ve only got the certificate in gold lettering. They stopped making the medals on account of the war.’
‘That damned war,’ murmured Bunny.
‘My teacher wanted me to do something from Hobson’s Choice or Love on the Dole , but I’ve prepared the telephone bit from The Bill of Divorcement instead.’
‘It’s not a play that leaps instantly to the mind,’ Meredith said.
‘Hallo . . . hallo,’ began Stella. She picked up a china vase from the shelf of the cocktail cabinet and held it to her ear.
‘Everyone is always out when you most need them,’ observed Bunny.
‘Kindly tell his Lordship I wish to speak to him immediately,’ Stella said. A dead moth fell out of the vase and stuck like a brooch to her collar. Meredith was undoing the toggles of his coat to reveal a bow tie and a pink