apples,
plump in their autumn skins.
â JANE YOLEN
Build a chair as if an angel were going to sit on it.
â Thomas Merton
Angels among the Servants
St. Zita, patron saint
of scrub buckets and brooms,
spiritual adviser to mops,
protector of charwomen,
chambermaids, cooks,
those who wait on us
and mend our ways,
for forty-eight years you
lit the morning fire
in the dark kitchen
of Fatinelli of Lucca
and baked his bread,
till the Sunday you knew
you could not serve
two masters and did not open
the bins of flour or unlock
the treasures of yeast
and water. Telling no one,
you trudged off to Mass,
still wearing his keys
on your belt.
And while you opened your mouth
for the wafer, a coin
minted from moonlight,
angels arrived in aprons
and mixed light and salt,
and kneaded loaf after loaf,
punching them down
for their own good,
and praised the mystery
of bread, which rises to meet
its maker. But who
is the servant here?
The loaf will not rise
till the baker follows
the rules set down by the first loaf
for the ancient order of bread.
St. Zita, bless the fire
that boils water, the air
that dries clothes, and keys
that have lost their doors:
may angels keep them
from the deep river.
â NANCY WILLARD
Photographing Angels
for Lilo Raymond
The first angel you brought us stands high
over a city which does not appear in the picture,
yet no one who sees the angel doubts
the city is there. He folds his arms,
swathed in stone, and turns his blank gaze to heaven.
His hair seems newly hatched, snaky curls,
his wings chunky as bread, the feathers cast
from a mold like a big cookie.
When he clarified himself in your darkroom,
you saw what the lens did not show you:
a fly perched on an angelâs head.
The second angel you brought us slumps
on a wall by a dump which does not appear in the picture.
Broken from the start, she will never be whole
except in the eye of the beholder
who praises the mosaic painterâs art,
though bricks and cement cake
the hem of her robe like a scab. Her head on her hand,
her eyes closed, her wings ashen, she drags her dark torch
on the ground like a broken umbrella.
She has sunk so far into herself not even you
could bring her to brightness,
though you brought her out of hiding.
Those years you photographed white curtains blowing
in white rooms over beds rumpled like ice floes,
you were honing your eye for what might dwell
in space as pure and simple as an egg.
The third angel you gave us holds a rose
so lightly it must have grown in a bed
where each rose chooses the hand that plucks it
and turns its open gaze on what rises and sets,
like a camera gathering the souls of pears,
the piety of eggs, the light in a dark room. Angels.
â NANCY WILLARD
Jacob Boehme and the Angel
I
A light in his workshop
unlocked his sleep and, fearing
a fire, the shoemaker
ran barefoot
across the snow
and opened the door.
The angel was waiting
on sapphire feet.
The shoemaker measured,
marked, and cut. Soles,
foxing, and tips fell
from the burnished calfskin,
laid to rest on the wooden last,
like a foot unfit for walking.
He crimped and stitched,
and the angel watched,
and the shop grew hot
as a foundry. He threaded
his needle with fire,
and with fire nailed heel
to sole, and with fire
pulled the shoes
from the last. The angel
put them on,
first the left,
then the right,
stepping so softly
even the snow did not speak of it.
â NANCY WILLARD
Visitation in a Pewter Dish
II
When Jacob finished stitching
the seventh pair of shoes,
his hands smelled of new
leather, as if the calf
whose mortal part heâd shaped
wanted to claim him.
Five blind bells woke
the fields at the edge of town.
Men left off binding the rain
into shocks of gold and rested
at noon under the plane trees.
Angelus Domini â
The cows were happy boulders,
and Jacob saw, in a pewter dish
on a dirty table, seven