still
he did survive, crept out of that stinking house
an emaciated, gaunt adolescent, made
his way back to Canada to live and eventually
make me
and I think now some spirit of Egon flew
from Vienna, drawn to my weakened father
who in his fatigue raised an arm above
his burning forehead and deflected it, returning
to himself as he was before he descended
into days of half breathing, half living with death
â and yet part of the painter entered Father
as an unseen arrow that pierced through
matter and was itself released in his last
offspring, so here I stand in this Viennese vault
recognizing myself in these twisting limbs
and later buying a black T-shirt with one of his
signature figures of skewed appendages stencilled
in shiny blue, I almost wish I hadnât succumbed
to such tourist delirium, but I needed an emblem
to remember my long-gone juvenescent wild skin
and jutting bones, my imprisoning self-pity
to evoke him, to keep him close, talisman
to protect me from my own ageâs plagues
coming from outside on the wind and those
eventualities from within rising up in blood
and phlegm, ushered along by semen and soul
I knock on Thomas Bernhardâs door . . .
Thomas Bernhard (February 9, 1931, Herleen, Netherlands to February 12, 1989, Gmunden, Austria)
once, twice, raise the iron ring
and bring it down hard in case
his ghost is sleeping, boom
rolling over a table of books
the farmhouse locked, unattended
I canât enter the place
he called his writing prison
only half affectionately â he hated
his country if not this house
its gangly flowersâ unfamiliar
pungent scent around me
as I peer in, leaning against
stone and mortar wall, brown
board, field of cut green hay
nearby, the road-edge battle
of weeds versus wheels
that hollow knocking
echoes some hollow in me
and later I read: âI am one
of those people who cannot bear
to be anywhere and are happy only
between places,â and I think of those sought
and left behind by brown boots
the brochure depicts for walking
(
gehen denken
: going thinking)
across Alps I imagined
but stalled now, stuck
here only â and I leave then â
on to Vienna, its blindness
he railed against, its equestrian icons
I slip past, determined to go
light-footed among graves, cafés
monuments, even to him
Nestbeschmutzer
, my smile
not quite that
of an innocent
book under my arm slipping
narrow street rising up:
horse droppings and
iron rims on yesteryear carriages
scraping on stone through an ageless crowd
of foreign wanderers, most unaware
Bernhardâs hammer hangs
over the city, poised to fall
with a hard clanging all must hear
his joy deemed untranslatable
though still sufficient, wondrously so
for the seeker
sun-filled photo, Dubrovnik . . .
where a woman laughs
says she lost 50 kilos
from the Serb shelling
â she refused to enter
the fortress, willing instead
to die in her bed
and her husband recalls
a grandmother cautioning
about the placing of money
the grandfather exclaiming
âAustria cannot lose!â
â sure as only the colonized
are sure â and betting on an empire
that ended, coin devalued
(turtles in the garden also tell
a story: when Pavo fails to feed them
on time they begin to eat the small
patch of grass they call home
either voracious or desperate)
nevertheless this terrace
is
peace:
purple blooms, cactus transplant, high
wall of stone and vine and sun-stunned
mortar, rosemary greeting at my door
to the street and its slant down
past outdoor tables and tour buses â
in Adriaticâs blue and breeze (both)
where Odysseus speaks not of exile
but of travel, his messengers
minnows darting in clear sea
old woman cleaning fish at the wall
feet in lapping, evening water
three cats await her gifts
â and wet, bronzed bodies step
out of the cove into a night
already cooling around me
into a kind of home I