you in here. You can go up to Gilda after Iâve spoken my mind. She came to me â after all these years, think of it! â and asked me to help her. Wanted me to see this man and persuade him to agree to a divorce. I told her straight out Iâd have nothing whatever to do with it. Divorce is sinful. But I couldnât refuse my own sister shelter in my house, could I now?â
âYour sister?â exclaimed Tommy.
âYes, Gildaâs my sister. Didnât she tell you?â
Tommy stared at her openmouthed. The thing seemed fantastically impossible. Then he remembered that the angelic beauty of Gilda Glen had been in evidence for many years. He had been taken to see her act as quite a small boy. Yes, it was possible after all. But what a piquant contrast. So it was from this lower middle-class respectability that Gilda Glen had sprung. How well she had guarded her secret!
âI am not yet quite clear,â he said. âYour sister is married?â
âRan away to be married as a girl of seventeen,â said Mrs Honeycott succinctly. âSome common fellow far below her in station. And our father a reverend. It was a disgrace. Then she left her husband and went on the stage. Play-acting! Iâve never been inside a theatre in my life. I hold no truck with wickedness. Now, after all these years, she wants to divorce the man. Means to marry some big wig, I suppose. But her husbandâs standing firm â not to be bullied and not to be bribed â I admire him for it.â
âWhat is his name?â asked Tommy suddenly.
âThatâs an extraordinary thing now, but I canât remember! Itâs nearly twenty years ago, you know, since I heard it. My father forbade it to be mentioned. And Iâve refused to discuss the matter with Gilda. She knows what I think, and thatâs enough for her.â
âIt wasnât Reilly, was it?â
âMight have been. I really canât say. Itâs gone clean out of my head.â
âThe man I mean was here just now.â
âThat man! I thought he was an escaped lunatic. Iâd been in the kitchen giving orders to Ellen. Iâd just got back into this room, and was wondering whether Gilda had come in yet (she has a latchkey), when I heard her. She hesitated a minute or two in the hall and then went straight upstairs. About three minutes later all this tremendous rat-tatting began. I went out into the hall, and just saw a man rushing upstairs. Then there was a sort of cry upstairs, and presently down he came again and rushed out like a madman. Pretty goings on.â
Tommy rose.
âMrs Honeycott, let us go upstairs at once. I am afraid ââ
âWhat of?â
âAfraid that you have no red wet paint in the house.â
Mrs Honeycott stared at him.
âOf course I havenât.â
âThat is what I feared,â said Tommy gravely. âPlease let us go to your sisterâs room at once.â
Momentarily silenced, Mrs Honeycott led the way. They caught a glimpse of Ellen in the hall, backing hastily into one of the rooms.
Mrs Honeycott opened the first door at the top of the stairs. Tommy and Tuppence entered close behind her.
Suddenly she gave a gasp and fell back.
A motionless figure in black and ermine lay stretched on the sofa. The face was untouched, a beautiful soulless face like a mature child asleep. The wound was on the side of the head, a heavy blow with some blunt instrument had crushed in the skull. Blood was dripping slowly on to the floor, but the wound itself had long ceased to bleed â¦
Tommy examined the prostrate figure, his face very white.
âSo,â he said at last, âhe didnât strangle her after all.â
âWhat do you mean? Who?â cried Mrs Honeycott. âIs she dead?â
âOh, yes, Mrs Honeycott, sheâs dead. Murdered. The question is â by whom? Not that it is much of a question. Funny â for