ready to leap. If a ball were suddenly to come flying, he would catch it. During some of the womanâs sentences he glanced over his shoulder at something. For a moment or two a black man on a distant bench came closer. The weak irregular jet of the fountain grew strong and seemed to be the outstanding event of the station area; the fountain became monumental. The letters on the glass door framed the view and the objects in it; a face in the window of a train, a lighted switch at the edge of the tracks, became as palpable as though seen through a telescope.
Now the waiting room is occupied by other people. The three have gone. The platforms are empty, and so are the many tracks; the rails give off a cold gleam. A last car vanishes around the long curve. After that there are only the high-rise buildings beyond the dead fields, the lighted windows almost as close together as in the old peopleâs home. This is the time of day when most people are back from their Sunday outings, but few want to be in the dark; countless silhouettes are seen standing in the middle of rooms, motionless except for hands moving up and down with cigarettes.
The soldier has put his cap on again. Already far from the station, he is walking along the riverâalone nowâwith giant strides, as though flying. In almost every telephone booth a motionless shadow. An arm that seems to
have been dangling all day from a car window is pulled back. Three teenage girls are waiting in front of a house; a very small child steps out of the door. Knots of foreign workers are standing around, looking more Slavic than ever with their prominent cheekbones. In response to a homicidal look the soldier salutes, and the saluted person suddenly comes to life.
On one of the main streetsârows of lighted, yet barred shopwindowsâhe stands at some distance from a few others, mostly soldiers. While the others engage in conversation and a bit of shadowboxing, he takes a cookie out of his jacket pocket and eats it in a leisurely, almost ceremonious way. There is a church nearby; a poster on the wall of the bus shelter announces PILGRIMAGE TO THE HOLY LAND.
In the bus he takes a book from his other pocket and reads. Repeatedly in the course of the trip he looks upâat a pedestrian crossing or at the one good-looking girl on the busâalways for longer than needed to digest what he has been reading. The army camp, way out beyond the expressways, is invisible, recognizable only by the glaring white sentry box in a small birch forest and the barriers on either side of it. The soldier slips through in line with the others.
Itâs deep night. The lights go out on the airfield. A pedestrian light changes; there are no more pedestrians; the stick figures on the light are crooked. A voice comes out of a dark ground-floor window; it starts with a loud, clear word, but then becomes unintelligible, the voice of a sleeper. In the center of town, on the squares, there is hardly anything but animal sounds to be heard: the screeching of cats, the roaring of a bull in a slaughterhouse far away, the scream
of a peacock in a zoo. The television sets in a shopwindow all display their test patterns. At one of the scenes of Sundayâs accidents whitish sand is being strewn over blood, which in one place is still discernible, a circular, clotted, pitch-black spot, as though the victimâs heart had drained just there. The light of a streetlamp shines into a café, whose chairs and tables are sharply outlined in the gloom; in one corner a basket full of leftover bread, shrunken, crusts broken, as happens to baked goods only on Sunday evenings; the few men left on the chess board have all tipped over, except the king, who stands proudly erect. A segment of the sky includes the half-moon in the shape of an apothecaryâs mortar, prepared to receive the pill that is the single star. A uniform rumbling fills the room, as though the cityâs machines had not