A Writer's Diary

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Author: Virginia Woolf
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sense, hardly existing with her usual circle, of age, obsoleteness, extinction. For myself, though she need have had no anxieties on this head, since I admired her sincerely; but still the generations certainly look very different ways. Two or perhaps three years ago L. and I went to see her; found her much diminished in size, wearing a feather boa round her neck and seated alone in a drawing room almost the copy, on a smaller scale, of the old drawing room; the same subdued pleasant air of the eighteenth century and old portraits and old china. She had our tea waiting for us. Her manner was a little distant, and more than a little melancholy. I asked her about father, and she said how those young men laughed in a "loud melancholy way" and how their generation was a very happy one, but selfish; and how ours seemed to her fine but very terrible; but we hadn't any writers such as they had. "Some of them have just a touch of that quality; Bernard Shaw has; but only a touch. The pleasant thing was to know them all as ordinary people, not great men." And then a story of Carlyle and father; Carlyle saying he'd as soon wash his face in a dirty puddle as write journalism. She put her hand down, I remember, into a bag or box standing beside the fire, and said she had a novel, three quarters written, but couldn't finish it. Nor do I suppose it ever was finished; but I've said all I can say, dressing it up a trifle rosily, in
The Times
tomorrow. I have written to Hester, but how I doubt the sincerity of my own emotion!

    Wednesday, March 19th
    Life piles up so fast that I have no time to write out the equally fast rising mound of reflections, which I always mark down as they rise to be inserted here. I meant to write about the Barnetts and the peculiar repulsiveness of those who dabble their fingers self approvingly in the stuff of others' souls. The Barnetts were at any rate plunged to the elbow; red handed if ever philanthropists were, which makes them good examples; and then, unquestioning and unspeculative as they were, they give themselves away almost to the undoing of my critical faculty. Is it chiefly intellectual snobbery that makes me dislike them? Is it snobbery to feel outraged when she says "Then I came close to the Great Gates"—or reflects that God = good, devil = evil. Has this coarseness of grain any necessary connection with labour for one's kind? And then the smug vigour of their self-satisfaction I Never a question as to the right of what they do—always a kind of insensate forging ahead until, naturally, their undertakings are all of colossal size and portentous prosperity. Moreover, could any woman of humour or insight quote such paeans to her own genius? Perhaps the root of it all lies in the adulation of the uneducated, and the easy mastery of the will over the poor. And more and more I come to loathe any dominion of one over another; any leadership, any imposition of the will. Finally, my literary taste is outraged by the smooth way in which the tale is made to unfold into fullblown success, like some profuse peony. But I only scratch the surface of what I feel about these two stout volumes. *

    Thursday, March 27th
    ... Night and Day
which L. has spent the past two mornings and evenings in reading. I own that his verdict, finally pronounced this morning, gives me immense pleasure: how far one should discount it, I don't know. In my own opinion
N. & D.
is a much more mature and finished and satisfactory book than
The Voyage Out;
as it has reason to be. I suppose I lay myself open to the charge of niggling with emotions that don't really matter. I certainly don't anticipate even two editions. And yet I can't help thinking that, English fiction being what it is, I compare for originality and sincerity rather well with most of the modern. L. finds the philosophy very melancholy. It too much agrees with what he was saying yesterday. Yet, if one is to deal with people on a large scale and say what one thinks,

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