damaged box.
Min picked it up and tossed it on the rubbish heap at the side of the yard. He continued to mutter crossly. "Ai, three days' work, and for what? For nothing. I am behind now. The order will be late..."
Tree-ear had taken a few dragging steps out of the yard. But on hearing the old potter's mutterings, he lifted his head and turned back toward him.
"Honorable potter? Sir? Could I not work for you, as payment? Perhaps my help could save you some time..."
Min shook his head impatiently. "What could you do, an untrained child? I have no time to teach youâyou would be more trouble than help."
Tree-ear stepped forward eagerly. "You would not need to teach so much as you think, sir. I have been watching you for many months now. I know how you mix the clay, and turn the wheelâI have watched you make many things..."
The potter waved one hand to cut off the boy's words and spoke with derision. "Turn the wheel! Ha! He thinks he can sit and make a potâjust like that!"
Tree-ear crossed his arms stubbornly and did not look away. Min picked up the rest of the box set and tossed it too on the rubbish heap. He muttered under his breath, so Tree-ear could not hear the words.
Min straightened up and glanced around, first at his shelf, then at the wheel, and finally at Tree-ear.
"Yes, all right," he said, his voice still rough with annoyance. "Come tomorrow at daybreak, then. Three days it took me to make that box, so you will give me nine days' work in return. I cannot even begin to think how much greater the value of my work is than yours, but we will settle on this for a start."
Tree-ear bowed in agreement. He walked around the side of the house, then flew off down the road. He could hardly wait to tell Crane-man. For the first time in his life he would have real work to do.
Â
Upon arriving the next day for work, Tree-ear learned that it was Min's turn to chop wood for the kiln fires. That was why he had not been at home the day before.
Like most of the potters' villages, Ch'ulp'o had a communal kiln. Set on the hillside just outside the center of the village, it looked like a long, low tunnel made of hardened clay. The potters took turns using the kiln and keeping up the supply of fuel.
Min handed Tree-ear a small ax and led him around the side of the house to a wheeled cart.
"Fill the cart with wood," Min barked. "Dry wood, not wet. Do not come back until the cart is full."
Tree-ear felt as though the sun had suddenly dimmed. The night before, sleep had not come easily. He had imagined himself at the wheel, a beautiful pot growing from the clay before him. Perhaps, he thought now, if he chopped enough wood quickly, there would still be time at the end of the day...
Min quashed that hope with his next words. "Take care to go well into the mountains," he said. "Far too many trees have been cut too close to the village. You will walk a long way before you find a plentiful stand of trees."
Tree-ear swallowed a sigh as he placed the ax in the cart. Grasping the two handles, he wheeled the cart onto the road. He turned to wave farewell, but the potter was no longer there. The sound of the throwing song floated out from behind the house.
Â
Chopping wood for hours without a single bite to eat had been hard enough. But the worst of that day was the long trip back down the mountainside with the cart full of wood.
The path was rutted and bumpy. The homemade cart was poorly balanced, awkward with its heavy load. At every step Tree-ear had to keep his eyes trained on the path and the cart. In spite of his efforts, whenever the wheels hit a deep rut, the cart tipped precariously and some of the logs spilled out. Then he had to stop to pick up the fallen wood. It was more than annoying, because he had been careful to lay the wood neatly as he chopped, and each bump led to further disarray of the tidy pile.
After this had happened more times than he could count, Tree-ear neared the end of the mountain
Taylor Larimore, Richard A. Ferri, Mel Lindauer, Laura F. Dogu, John C. Bogle
Megan Hart, Saranna DeWylde, Lauren Hawkeye