that the truth, Mrs Keyes? You are quite safe. You can say yes without looking at him now. Isn’t that the truth?’
‘Yes.’
‘I’m sorry, I can barely hear you, Mrs Keyes, and I doubt if the rest of the court, and especially the jury, could either. Will you please speak up and answer again?’
A long hesitation.
‘Yes.’
From the
Daily Telegraph
, 28 May, 2002
Alan Frederick Keyes is alleged to have slipped out late at night, leaving his wife asleep, and made his way on foot and without use of a torch to the complex of sheltered bungalows collectively known as Meadow View Close which lies about a mile and a half from his home at 33 Westway Road, Crofton. He was familiar with the bungalows because he had worked there several times as a builder, and has occasionally been called out to them at weekends and bank holidays to do urgent repairs.
Keyes is charged with the murders of Carrie Millicent Gage (88), Sara Pearce (76) and Angela Daphne Kavanagh (80), all of whom lived near to one another in the complex. Mr Anthony Elrod QC, prosecuting, said that Keyes had known precisely where to go, how to gain entrance to the bungalows, and how to cover his tracks and destroy any traces of his presence on the three nights. He had entered the bedrooms of Carrie Gage and Angela Kavanagh and strangled them. Sara Pearce was suffering from a chest cold and had been finding it difficult to sleep lying down and Keyes had found her sitting in an armchair in the living room.
Keyes overpowered these elderly ladies without any difficulty, but there was evidence that Angela Kavanagh had fought for her life and Keyes had to use some force to kill her.
Mr Elrod said: ‘You deliberately and callously, and with meticulous planning, went out to the bungalows belonging to these elderly women who, although they all lived alone, thought they were safe in their beds in a secure environment. You used previous knowledge of the layouts to enter each one and find each of the victims. You then strangled them without reason, motive or remorse, and left them to be discovered by their traumatised neighbours the next or on a subsequent day. You took care to destroy all evidence of your presence and left the complex to walk back through the dark and deserted streets to your own house. There you let yourself in, and went back to bed beside your still-sleeping wife. These are terrible, wicked acts of which you are accused. But you have lied consistently during every questioning, you have shown not only no remorse but, unbelievably, barely any interest in these events. You ostentatiously yawned your way through at least one cross-examination, and at several points, on hearing the details of these dreadful murders which you had so calmly committed, you smiled. I hope the minds of the jury are concentrating hard upon that, as well as upon all the other facts because they beggar belief.’
The trial continues.
The best one was the one in the chair. The one who was already awake. That was the best, no question.
29 MAY, 2002
‘ WHAT DO YOU reckon?’
It was warm outside, sun, blue sky. The trees round the perimeter of the Crown Court building were bright fresh green.
Charlie Vogt and Rod Hawkins sat on a low wall out of the press of people near the main doors, with plastic cups of coffee and Hawkins with his usual hand-rolled. Charlie was local, Rod Hawkins senior crime reporter for the
Mail
. They went back a decade, to the dilapidated old Crown Court building in Barnsley Square and several high-profile murder trials, but this was the biggest here for some years. Television, radio, every national paper as well as the agencies and the regional press were represented, a couple were doing updates as the trial had rolled on. They were nearing the end now, prosecution and defence had put their cases, the judge had summed up and instructed the jury, who had gone out the previous afternoon, and were still out. It was twenty minutes to three.
Charlie swigged
Corey Andrew, Kathleen Madigan, Jimmy Valentine, Kevin Duncan, Joe Anders, Dave Kirk