A Paradise Built in Hell

A Paradise Built in Hell Read Free Page A

Book: A Paradise Built in Hell Read Free
Author: Rebecca Solnit
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makes it clear that there are plural and contingent natures—but the prevalent human nature in disaster is resilient, resourceful, generous, empathic, and brave. The language of therapy speaks almost exclusively of the consequence of disaster as trauma, suggesting a humanity that is unbearably fragile, a self that does not act but is acted upon, the most basic recipe of the victim. Disaster movies and the media continue to portray ordinary people as hysterical or vicious in the face of calamity. We believe these sources telling us we are victims or brutes more than we trust our own experience. Most people know this other human nature from experience, though almost nothing official or mainstream confirms it. This book is an account of that rising from the ruins that is the ordinary human response to disaster and of what that rising can mean in other arenas—a subject that slips between the languages we have been given to talk about who we are when everything goes wrong.
    But to understand both that rising and what hinders and hides it, there are two other important subjects to consider. One is the behavior of the minority in power, who often act savagely in a disaster. The other is the beliefs and representations of the media, the people who hold up a distorting mirror to us in which it is almost impossible to recognize these paradises and our possibilities. Beliefs matter, and the overlapping beliefs of the media and the elites can become a second wave of disaster—as they did most dramatically in the aftermath of Hurricane Katrina. These three subjects are woven together in almost every disaster, and finding the one that matters most—this glimpse of paradise—means understanding the forces that obscure, oppose, and sometimes rub out that possibility.
    This social desire and social possibility go against the grain of the dominant stories of recent decades. You can read recent history as a history of privatization not just of the economy but also of society, as marketing and media shove imagination more and more toward private life and private satisfaction, as citizens are redefined as consumers, as public participation falters and with it any sense of collective or individual political power, as even the language for public emotions and satisfactions withers. There is no money in what is aptly called free association: we are instead encouraged by media and advertising to fear each other and regard public life as a danger and a nuisance, to live in secured spaces, communicate by electronic means, and acquire our information from media rather than each other. But in disaster people come together, and though some fear this gathering as a mob, many cherish it as an experience of a civil society that is close enough to paradise. In contemporary terms, privatization is largely an economic term, for the consignment of jurisdictions, goods, services, and powers—railways, water rights, policing, education—to the private sector and the vagaries of the marketplace. But this economic privatization is impossible without the privatization of desire and imagination that tells us we are not each other’s keeper. Disasters, in returning their sufferers to public and collective life, undo some of this privatization, which is a slower, subtler disaster all its own. In a society in which participation, agency, purposefulness, and freedom are all adequately present, a disaster would be only a disaster.
    Few speak of paradise now, except as something remote enough to be impossible. The ideal societies we hear of are mostly far away or long ago or both, situated in some primordial society before the Fall or a spiritual kingdom in a remote Himalayan vastness. The implication is that we here and now are far from capable of living such ideals. But what if paradise flashed up among us from time to time—at the worst of times? What if we glimpsed it in the jaws of hell? These flashes give us, as the long ago and far away do not, a glimpse of

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