himself with a sword. However, both producer and cast wish to make it clear that they deeply deplore the use of weapons against human beings in all circumstances. The swordplay you will witness is for dramatic effect only, and on no account should anybody interpret it as a glorification of terrorism: nor should anybody try it at home
.â
Quince nodded. âThat ought to do it.â He frowned. Whatâs up
now
, Snout?â
âThe lion, Quince. Protected species, you know, lions. They only attack humans if theyâre cornered, and here we are slandering âem by pretending they constitute a threat. Wonât play well with the conservation lobby, I can tell you that.â
âAnother prologue,â suggested Bottom, âto be spoken by Snug himself. It could go like this:
For the purpose of the play, we intend to portray the lion as a fearsome beast. In reality
,
each one of us is acutely aware of the plight of lions in the wild, and a percentage of the proceeds of tonightâs performance will be donated to the World Wildlife Fund. In addition, we wish to assure our patrons that no animal will be harmed in the staging of this play
.â
Quince nodded. âOK, weâll include both prologues, but there are a couple of other snags. One is finding a way to represent moonlight when weâll be doing the thing indoors. This is vital, because the story says Pyramus and Thisby meet by moonlight. The other is there needs to be a wall. Obviously we canât drag a wall into Theseusâs mansion if we want to keep our kneecaps, so somebody will have to
be
Wall.â He sighed. âOne of us will probably have to be Moonshine as well, so weâd better get it sorted. Snout, you can double as Pyramusâs father and Wall. Starveling will have to do Thisbyâs mother and Moonshine. All right, Pyramus, itâs you to begin.â
As Bottom opened his mouth to speak, Puck arrived on the scene.
âHey up!â exclaimed the elf. âWhoâre
these
wurzels, so close to Titaniaâs bed?â He was invisible to mortals, so he stayed to eavesdrop. âAh!â he breathed as Bottom delivered the opening line. âItâs a
play
. Iâll be the audience.â He grinned. âI might even
do
something, if I get the chance.â
His chance wasnât long in coming. Bottom had to exit stage and then re-enter. While the actor waited behind the hawthorn bush, Puck cast a spell, which gave him the head of an ass. There was no mirror, so Bottom couldnât see his ghastly transformation. He re-entered, ready to continue.
Quince took one look and screamed, âLook out â aliens have taken him over. Run! Run for your lives!â The students fled into the trees, leaving poor Bottom with Puck. He couldnât see the elf, so thought he was alone. âWhatâs up with them?â he cried aloud. âItâs a trick âtheyâre trying to make me scared.â
Snout came back. He stared at his friend, aghast. âI d-d-donât understand, Bottom,â he stammered. âWhoâs done this to you?â
He ran off again and Quince reappeared.
âLord help you, Bottom, you havenât half changed.â Then he too fled.
Bottom yelled after them. â
I
know what youâre up to. Youâre trying to make an ass of me, arenât you? Well, it isnât going to work.â
Iâll stay here
, he told himself.
Iâll stroll around and sing. Iâll show âem they canât scare me
.
He started to sing:
âLove, love changes everything,
Da da daa-da, daa daa deeâ¦â
At the sound of his voice, Titania woke with a start. âWhat â what angel wakes me from my flowery bed?â she cried.
Bottom, who couldnât see her, sang on:
âDoo, doo doo doo dum-di-dum,
Doo di dah dah, doo di dungâ¦â
Enraptured, the fairy queen begged thesinger not to stop. âSing it
Dorothy L. Sayers, Jill Paton Walsh