see something that will turn him aside. She may visit friends, or call on an old paramour, or her father in the hospital. She may have a boyfriend or girlfriend. But she changes little. She stops at the drug store to buy toothpaste, bottled water, and sanitary napkins. She fumbles the keys at her door but does not drop them this time.
He leaves.
Paul, that night, is too tired to study. Vlad promises to help him more tomorrow. Paul frowns at the promise. Frowns donât yet sit well on his face. Heâs too young. Vlad tells him so, and lifts him upside down, and he shrieks laughter as Vlad carries him back to the bedroom.
Work is a dream. He is losing the knack of normalcy. Numbers dance to his command. He walks among cubicles clothed in purpose, and where once the white-collared workers forgot him as he passed, now they fall silent and stare in his wake. Management offers him a promotion for no reason, which he turns down. Silences between Vlad and Angela grow tense. He apologizes, and she says there is no need for an apology.
He and his wife make love twice that week. Ravenous, she pins him to the bed, and feasts.
Paul seems cautious in the mornings, silent between mouthfuls of cereal. At evening catch, Vlad almost forgets, almost hurls the ball up and out, over the park, over the city, into the ocean.
He canât go on like this. Woken, power suffuses him. He slips into old paths of being, into ways he trained himself to forget. One evening on his home commute he catches crows flocking above him on brownstone rooftops. Black beady eyes wait for his command.
This is no way to be a father. No way to be a man.
But Vlad was a monster before he was a man.
Again and again he follows her, as the heat of early autumn cools. The year will die. Show me some danger, he prays. Show me some reason I cannot close my fingers and seize you. But she is alone in the world, and sad.
Paulâs grades slip. Vlad apologizes to Angela. He has been distracted.
âItâs okay,â she says. âIt happens. Donât blame yourself.â
He does not blame her. But this must end.
*Â Â Â *Â Â Â *
He makes his wife breakfast on the last morning. Bacon. Eggs, scrambled hard, with cheese. Orange juice, squeezed fresh. The squeezing takes time, but not so much for Vlad. He wakes early to cook, and moves at his own paceâfast. Fat pops and slithers in the pan. Eggs bubble. He ticks off seconds while he waits for the bacon to fry, for the eggs to congeal after. By the time his wife steps out of the shower, breakfastâs ready and the kitchen is clean. He makes Paulâs lunch, because itâs his turn. He cannot make amends.
His wife sucks the strip of bacon before she bites. âDelicious.â She hums happily, hugs him around the waist. âSo good. Isnât your dad a good cook?â
Paul laughs. Vlad thinks it is a knowing laugh, because he is afraid.
âItâs not Motherâs Day,â his wife says. âThatâs in May.â
âI love you,â Vlad answers. Paul makes a face like a punchinello mask.
Crows follow him to work, hopping sideways along the roofs. When he reaches midtown they perch on streetlamps and traffic lights. Red, yellow, and green reflect in their eyes in turn. The Times reports power outages in suburbs last night from unexpected vicious wind. Asylums and hospitals brim with madmen, raving, eating bugs. Vlad is over-empty, a great mounting void, and the world rushes to fill him.
He breaks a keyboard that day from typing too hard. Drives his pinkie finger through the enter key into his desk, embedding a sliver of plastic in his skin. He pulls the plastic out and the wound heals. I.T. replaces the keyboard.
Vlad finishes his work by three and sits in his cubicle till sunset. Thunderclouds cluster overhead by the time he leaves the building. Heat lightning flickers on his walk uptown. Fear shines at each flash from the eyes of the peasants he