A Diet of Treacle Read Free Page B

any case, he was rejected because the psychiatrist decided Shank was psychopathic, naturally withholding the information. At the time, the army appealed to Shank, perhaps because he felt a little lonely and out of place. But then he discovered there were others like himself, and he was glad the army had turned him down.
    There weren’t that many—of the others. You could walk all over the Village and never notice them, not unless you were one yourself and consequently knew what to look for. They varied in age, appearance and dress, but a boy like Shank knew how to spot them.
    They were lost people, bored people, tired people, angry young people, zen people, beat people. They were tagged with more labels than you could shake a stick of pot at, but the people themselves scorned the labels and spent little time worrying about them. Shank himself shrugged at labels. He knew there were two classes of people in the world—the ones he liked and the ones he didn’t.
    The ones he didn’t could go in a body to hell, as far as he was concerned. The ones he liked were going to hell, too, but he happened to be going on the same boat they were—and that made the difference. The people he gravitated to smoked marijuana or gobbled benzedrine or drank cough syrup or chewed peyote. They talked with each other, walked with each other, sat with each other and slept with each other. They listened to jazz, deep and grinding hard bop, and they spoke their own language, the inner language of Hip.
    There was Lee Revzin, an anemic-looking young man whose hair was forever falling into his eyes, sandy blond hair he neither cut nor combed. Lee wrote poetry, weird stuff Shank found impossible to understand, but he knew the poetry had Soul and if that was Lee’s scene it was okay with him.
    There was Judy Obershain of the china-doll face, a small, cute, nervous girl who talked and moved like a Disney cartoon. She had experienced sexual relations with forty-seven men, but although the carnal in its many forms attracted Judy, the idea of pain she was convinced was associated with the loss of virginity was the one prospect that terrified her. Shank took her to his room one night but left her virginity where he found it, practically untouched. He thought she was a little nuts, but if that was her scene it was okay with him. Because she was one of Shank’s people.
    And there were many others. The ones who lived in the Village or on the lower East Side. The ones who lived uptown or in Brooklyn or the Bronx or Queens or even Jersey and who came to the Village to meet the rest. The ones who blew in from Chicago or the coast, the ones who left and the ones who came back. People who wrote or painted or who did nothing at all. Negroes who slept with whites in the frantic shift to change the color of their skins; and whites who slept with Negroes for the opposite shift.
    And Joe, of course. Joe Milani, Shank’s friend, older than most of the others, who once had been to Korea and to college and who now had no scene at all—who just floated, never wanting anything, never needing anything, just drifting and tasting and touching and seeing and smelling and hearing, drifting around and digging everything, going nowhere and doing nothing. He and Joe lived together now on Saint Marks Place near Avenue A, and the two of them were very tight. Joe was older, seven years older, but his age did not matter. Joe was a wop, but there was a world of difference between Joe and the dago bastards who owned everything in the Village. Joe was a little nuts in some ways, but Shank did not sit in judgment.
    That was Joe’s scene, and Shank let it go at that.
    The man Shank was expecting sat down next to him. The man wore a white shirt open at the neck and a pair of grey gabardine trousers. The man was nervous.
    “Are you Shank?” he said.
    Shank nodded.
    “Are you holding?”
    “I never hold, man.”
    The man hesitated. “Phil told me—”
    “Phil?”
    “Phil Carroway.