A Daughter of the Samurai Read Free Page B

mostly of our own products, it was interesting to watch the people who thronged the streets on these days. Besides our own townsfolk, each one carrying a basket or bundle, groups kept coming every hour of the day from the mountains and from neighbouring villages. There were men laden with bunches of hemp and coils of rope, or with bundles of bamboo poles, the long ends trailing on the ground as they walked; women from weaving villages weighted down with bolts of silk or cotton; and farmers pulling long carts piled high with bales of "the five grains"—rice, millet, wheat, oats, and beans—with the farmer's wife (frequently with a baby on her back) pushing at the end. All these gifts were taken to a large building put up on purpose for them, and every day the collection grew.
    One day Ishi and I were standing just within our big gateway, watching the people go by. I noticed that almost every woman had her head wrapped in the blue-and-white towel that servants wear when dusting or working in the kitchen.
    "Why does everybody wear tenugui on the streets?" I asked.
    "Those women have cut their hair, Etsu-bo Sama," Ishi replied.
    "Are they all widows?" I asked in astonishment; for it was the custom for a widow to cut off her hair at the neck and bury half of it with her husband, the other half being kept until her own death.
    I thought I had never seen so many widows in my life, but I soon learned that these women had cut off most of their hair that it might be braided into a huge rope to be used in drawing the lumber for the important centre beam of the new temple. Our own servants had cut big bunches from their heads, but, with more moderate enthusiasm than that of the peasant class, they had retained enough to dress it so as to cover their bald crowns. One of the maids, however, in religious fervour, had cut off so much that she had to postpone her marriage for three years; for no girl could marry with short hair. Not a man of those days would be brave enough to risk the ill omen of taking a bride with the cut hair of a widow.
    Our family did not belong to the Shin sect of Buddhists, but every woman, of whatever sect, wanted to have a part in the holy cause, so each of us added a few strands. The hair was taken to the building where the donations were kept and braided into long, thick ropes; then, just before the removal to Kyoto, all the gifts were dedicated with an elaborate religious ceremony.
    It seemed to my childish mind that almost everybody in the world came to Nagaoka that day. Most certainly the near-by country district and all the neighbouring villages had emptied themselves into the narrow streets through which Ishi took me on our way to the temple. But at last we were stationed in a safe place and I stood holding tight to her hand and looking up wonderingly at the great shrine of gold-and-black lacquer which was placed high on an ox-cart just in front of the temple entrance. The curving doors were wide open, showing the calm-faced Buddha standing with folded hands. Surrounding the base of the shrine, gradually widening and spreading above it, was a delicate framework representing the "five-coloured clouds of Paradise." Many, many lotus blossoms of gold and silver, pink, purple, and orange twisted through the carved clouds and seemed to float in the air. It was wondrously beautiful. The two oxen, loaned by proud farmers for this occasion, were almost covered with strips of bright-coloured silk dangling in long, fluttering streamers from horns and harness.
    Suddenly there was a moment's hush. Then with the returning sound of a multitude of voices mingled the beating of gongs and the shrill piping of temple music.
    "Look, Etsu-bo Sama!" said Ishi. "The sacred Buddha is starting on the tour of appreciation. It is the first time in many years that the Holy One has come forth from the temple altar. To-day is a great day!"
    As the oxen strained and pushed against the big wooden yoke and the shrine with the gilded