widened, hislips tightened. Heâs angry, she thought, dismayed. I practically knocked him down. Contritely she held out her hand. âIâm so sorry, Mr. Krueger. Please forgive me. I was so lost in admiring the painting of your mother. Itâs . . . Itâs indescribable. Oh, do come in. Iâm Jenny MacPartland. I work in the gallery.â
For a long moment his gaze remained on her face as he studied it feature by feature. Not knowing what to do, she stood silently. Gradually his expression softened.
âJenny.â He smiled and repeated, âJenny. â Then he added, âI wouldnât have been surprised if you told me . . . Well, never mind.â
The smile brightened his appearance immeasurably. They were practically eye to eye and her boots had three-inch heels so she judged him to be about five nine. His classically handsome face was dominated by deep-set blue eyes. Thick, well-shaped brows kept his forehead from seeming too broad. Bronze-gold hair, sprinkled with touches of silver, curled around his head, reminding her of the image on an old Roman coin. He had the same slender nostrils and sensitive mouth as the woman in the painting. He was wearing a camelâs hair cashmere coat, a silk scarf at his throat. What had she expected? she wondered. The minute sheâd heard the word farm, she had had a mental image of the artist coming into the gallery in a denim jacket and muddy boots. The thought made her smile and snapped her back to reality. This was ludicrous. She was standing here shivering. âMr. Krueger . . .â
He interrupted her. âJenny, youâre cold. Iâm so terribly sorry.â His hand was under her arm. He was propelling her toward the gallery door, opening it for her.
He immediately began to study the placement of his paintings, remarking how fortunate it was that the lastthree had arrived. âFortunate for the shipper,â he added, smiling.
Jenny followed him around as he made a meticulous inspection, stopping twice to straighten canvases that were hanging a hairbreadth off-center. When he was finished, he nodded, seemingly satisfied. âWhy did you put Spring Plowing next to Harvest?â he asked.
âItâs the same field, isnât it?â Jenny asked. âI felt a continuity between plowing the ground and then seeing the harvest. I just wish there was a summer scene as well.â
âThere is,â he told her. âI didnât choose to send it.â
Jenny glanced at the clock over the door. It was nearly noon. âMr. Krueger, if you donât mind, Iâm going to settle you in Mr. Hartleyâs private office. Mr. Hartleyâs made a luncheon reservation for you and him at the Russian Tea Room for one oâclock. Heâll be along soon and Iâm going to go out now for a quick sandwich.â
Erich Krueger helped her on with her coat. âMr. Hartley is going to have to eat alone today,â he said. âIâm very hungry and I intend to go to lunch with you. Unless, of course, youâre meeting someone?â
âNo, Iâm going to get something fast at the drugstore.â
âWeâll try the Tea Room. I imagine theyâll find room for us.â
She went under protest, knowing Mr. Hartley would be furious, knowing that her hold on her job was becoming increasingly more precarious. She was late much too often. Sheâd had to stay home two days last week because Tina had croup. But she realized she wasnât being given a choice.
In the restaurant he brushed aside the fact they had no reservation and succeeded in being placed at thecomer table he wanted. Jenny turned down the suggestion of wine. âIâd be drowsy in fifteen minutes. I was a bit short on sleep last night. Perrier for me, please.â
They ordered club sandwiches, then he leaned across the table. âTell me about yourself, Jenny MacPartland.â
She tried